Two fretboard questions
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Two fretboard questions
Hello after a long absence,
I sadly lost my beloved early 90s 330/6MG in unfortunate circumstances and am now looking at a replacement.
However, I see some things may have changed and I'd be grateful if folks know the answers to these two questions?
1. when did they switch from bubinga to rosewood for the fingerboards?
2. did they change the fretwire? the stuff on the new guitars looks wide, as is currently popular. My guitar had skinny frets, which I actually liked.
Thanks all
I sadly lost my beloved early 90s 330/6MG in unfortunate circumstances and am now looking at a replacement.
However, I see some things may have changed and I'd be grateful if folks know the answers to these two questions?
1. when did they switch from bubinga to rosewood for the fingerboards?
2. did they change the fretwire? the stuff on the new guitars looks wide, as is currently popular. My guitar had skinny frets, which I actually liked.
Thanks all
Re: Two fretboard questions
Not sure about the change (?) in fretwire; RIC switched from bubinga to chechen in late 2011. I, personally, love the look of the chechen, I believe the switch to it was, primarily, due to upcoming changes in CITES restrictions that were soon to be implemented.
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Re: Two fretboard questions
The bubinga had a lovely reddish tint and round grain patterns. Isn't the chechen more linear in its grain?
Re: Two fretboard questions
Chechen has a nice look, and the fact that it's not CITES-restricted makes it all the more appealing. Not worth the headache just for Bubinga, IMO.parker_knoll wrote:The bubinga had a lovely reddish tint and round grain patterns. Isn't the chechen more linear in its grain?
Chechen (aka "Caribbean Rosewood") often has a much more dramatic wood grain than Bubinga, with big swooping grain patterns and light color variations. By and large, it's more brown than Bubinga.
The real "red" fretboards prior to Bubinga were Paduak.
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Re: Two fretboard questions
oh, could mine have been Paduak? it was a plain jane 330 from 1993 or so.
Re: Two fretboard questions
Nope, that would be Bubinga ("African Rosewood"). It does have a reddish tint as well, but not as pronounced. Paduak is almost orange, especially when it's freshly cut and unfinished.parker_knoll wrote:oh, could mine have been Paduak? it was a plain jane 330 from 1993 or so.
AFAIK, Paduak was only used on late 1950s instruments (and reissues of the same, such as the 325c58).
Re: Two fretboard questions
How early 90's? No one's mentioned the neck size or shape yet. Mid 90's they got fatter. Mid 00's they seemed to have slimmed back down to a reasonable girth.
Re: Two fretboard questions
I've always heard that size doesn't matter, JDog.jdogric12 wrote:How early 90's? No one's mentioned the neck size or shape yet. Mid 90's they got fatter. Mid 00's they seemed to have slimmed back down to a reasonable girth.
Re: Two fretboard questions
It's what you do with it!collin wrote:I've always heard that size doesn't matter, JDog.jdogric12 wrote:How early 90's? No one's mentioned the neck size or shape yet. Mid 90's they got fatter. Mid 00's they seemed to have slimmed back down to a reasonable girth.
Re: Two fretboard questions
Oh, it matters. I prefer the Ricks that are less well endowed. Too much girth can be a bad thing, imo.collin wrote:I've always heard that size doesn't matter, JDog.jdogric12 wrote:How early 90's? No one's mentioned the neck size or shape yet. Mid 90's they got fatter. Mid 00's they seemed to have slimmed back down to a reasonable girth.
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Re: Two fretboard questions
Not a fan of the 381?tcsmit29 wrote:Oh, it matters. I prefer the Ricks that are less well endowed. Too much girth can be a bad thing, imo.collin wrote:I've always heard that size doesn't matter, JDog.jdogric12 wrote:How early 90's? No one's mentioned the neck size or shape yet. Mid 90's they got fatter. Mid 00's they seemed to have slimmed back down to a reasonable girth.
Re: Two fretboard questions
Not really. To be honest though I've never even seen one in the wild much less held and played one. My disdain for the instruments with the thicker neck girth comes from a late 90's 370/12 that I bought. It was awful. It felt like fretting a Louisville slugger. My previous Rick was a 1990 330/12 which was from that range of instruments that had slimmer necks mentioned by JDog. So basically it boils down to the fact that the slim necks were what I was used to. I got a chance to pick up a 370/12RM soon after. It played like a dream. Sold that Rickenballbat as fast as I could.parker_knoll wrote:Not a fan of the 381?
Re: Two fretboard questions
The '69 381 I owned a few years ago had one of the slimmest necks I've seen on a Rickenbacker. That, coupled with the extra thick body, made the neck seem tiny.tcsmit29 wrote:Not really. To be honest though I've never even seen one in the wild much less held and played one. My disdain for the instruments with the thicker neck girth comes from a late 90's 370/12 that I bought. It was awful. It felt like fretting a Louisville slugger. My previous Rick was a 1990 330/12 which was from that range of instruments that had slimmer necks mentioned by JDog. So basically it boils down to the fact that the slim necks were what I was used to. I got a chance to pick up a 370/12RM soon after. It played like a dream. Sold that Rickenballbat as fast as I could.parker_knoll wrote:Not a fan of the 381?
And the larger 381 made for a very resonant guitar, it sounded wonderful like a jazz guitar (the new ones are great too).
Also, we could go down the neck profile rabbit hole in another thread, but there's a few "eras" where the necks got super thick. Late 90s is certainly the most significant, in my opinion. Some people like that, some don't... horses for courses.
Re: Two fretboard questions
No disrespect to 381s intended. In fact I am not even sure why I was asked if I was a fan of them. Unless my girth comment was mistaken to be about body size.collin wrote:The '69 381 I owned a few years ago had one of the slimmest necks I've seen on a Rickenbacker. That, coupled with the extra thick body, made the neck seem tiny.tcsmit29 wrote:Not really. To be honest though I've never even seen one in the wild much less held and played one. My disdain for the instruments with the thicker neck girth comes from a late 90's 370/12 that I bought. It was awful. It felt like fretting a Louisville slugger. My previous Rick was a 1990 330/12 which was from that range of instruments that had slimmer necks mentioned by JDog. So basically it boils down to the fact that the slim necks were what I was used to. I got a chance to pick up a 370/12RM soon after. It played like a dream. Sold that Rickenballbat as fast as I could.parker_knoll wrote:Not a fan of the 381?
And the larger 381 made for a very resonant guitar, it sounded wonderful like a jazz guitar (the new ones are great too).
Also, we could go down the neck profile rabbit hole in another thread, but there's a few "eras" where the necks got super thick. Late 90s is certainly the most significant, in my opinion. Some people like that, some don't... horses for courses.
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Re: Two fretboard questions
Yep, I thought you were talking about body size. I'm a fan of the slimmer necks myself.tcsmit29 wrote: No disrespect to 381s intended. In fact I am not even sure why I was asked if I was a fan of them. Unless my girth comment was mistaken to be about body size.