360/12 - TI Flats or Compressed Roundwounds
Posted: Mon Jul 27, 2020 4:28 pm
Hey all,
Rounds v flats is a well-worn topic, but here's another thread nonetheless.
I have a 1981 360/12 with toaster pickups. Currently I've got TI flats on the guitar. I run it through two compressors, first a dynacomp with the sustain all the way up, and then a 'ART Tube Pac' pre-amp/compressor with input all the way up and threshold all the way down and output dialed for volume (9 o'clock or thereabouts). Both of those in tandem before other effects and the amp really squish the hell out of the signal and it sounds clean and chimey and real real byrdsy. I also find the extra compression is a big help the louder you go on your amp!
When playing chords or harmonies (multiple strings) the thing really sings and chimes, great sound. But when I switch to single-note melodies or solos it's a little too hollow and quiet. It kinda sounds like a combination of the lower-output toasters and the dull TI flats are just not making enough sound.
I use Pick of the Rick compressed roundwounds on my Fender XII and they work well for that so I'm curious if it might brighten things up a notch for the Ricky. On the other hand, those TI flats are expensive, so I'm a bit hesitant. Oh also, it took me a lot of time to get the truss rods and bridge adjusted just right with smooth low action and minimal buzzing (not easy on a vintage Rick with 7.25" radius and old likely inconsistent fretwork). I assume changing string types will require truss rod adjustment, but I suppose I could wait to adjust depending on whether I prefer the tone of the compressed rounds...
Can anyone give me an opinion on whether the compressed rounds will do what I want-- ie. keep the chimey rhythm byrdsy sound but give me a bit more bite on the single-note melodies?
Thanks!
Rounds v flats is a well-worn topic, but here's another thread nonetheless.
I have a 1981 360/12 with toaster pickups. Currently I've got TI flats on the guitar. I run it through two compressors, first a dynacomp with the sustain all the way up, and then a 'ART Tube Pac' pre-amp/compressor with input all the way up and threshold all the way down and output dialed for volume (9 o'clock or thereabouts). Both of those in tandem before other effects and the amp really squish the hell out of the signal and it sounds clean and chimey and real real byrdsy. I also find the extra compression is a big help the louder you go on your amp!
When playing chords or harmonies (multiple strings) the thing really sings and chimes, great sound. But when I switch to single-note melodies or solos it's a little too hollow and quiet. It kinda sounds like a combination of the lower-output toasters and the dull TI flats are just not making enough sound.
I use Pick of the Rick compressed roundwounds on my Fender XII and they work well for that so I'm curious if it might brighten things up a notch for the Ricky. On the other hand, those TI flats are expensive, so I'm a bit hesitant. Oh also, it took me a lot of time to get the truss rods and bridge adjusted just right with smooth low action and minimal buzzing (not easy on a vintage Rick with 7.25" radius and old likely inconsistent fretwork). I assume changing string types will require truss rod adjustment, but I suppose I could wait to adjust depending on whether I prefer the tone of the compressed rounds...
Can anyone give me an opinion on whether the compressed rounds will do what I want-- ie. keep the chimey rhythm byrdsy sound but give me a bit more bite on the single-note melodies?
Thanks!