Moderators: rickenbrother, ajish4
Jeez, you guys! What is going on? Is there some secret society out there that meets in the middle of the night and devises impossible questions to ask sad, old pop stars? Ok, I'll do my best - but its going to take a couple of days to get all of the information.(Once again I'm being forced to listen to old Kinks recordings!) regards, PeteQ
If I could remember that I would be a member of MENSA! I never used anything else but flatwounds - both in the studio and on stage. I had to take care of my delicate little fingertips! I much prefered the 'flatwound' sound. I could get a 'drone' effect by sliding my finger up the string without pressing down
on the fretboard. (dificult, but it can be done)
I always wanted to go 'fretless' but Ray decided that it "would not be in the best interests of the group". Also, flatwounds eliminated the 'buzz' when changing positions - something which I hated!
How astute of you! Yeup! I used every bit of treble that I could muster. Also I was going through the board and Mac (the engineer) had plenty of room to play around with the sound. I was after a 'bar room piano sound' and I couldn't get that using a deep, bassy setting. (one of the reasons was that I had fallen in love with the Danelectro bass. It was a cheap, yucky guitar but it did have that incredible twang sound to it. I really wanted to use that. The nearest I got was the first two or three takes on Dead End Street when -guess who!- Ray said he didn't like it. Back to the Ricky!) PeteQ
Return to Rickenbacker Artists
Users browsing this forum: No registered users and 2 guests