NAZI RULES FOR JAZZ "IMPROVISATION"...
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- jingle_jangle
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NAZI RULES FOR JAZZ "IMPROVISATION"...
Here are printed a set of regulations, issued by a Gauleiter -- a regional official for the Reich -- as binding on all local dance orchestras during the Nazi occupation of Czechoslovakia. Get this:
1. Pieces in foxtrot rhythm (so-called swing) are not to exceed 20% of the repertoires of light orchestras and dance bands;
2. in this so-called jazz type repertoire, preference is to be given to compositions in a major key and to lyrics expressing joy in life rather than Jewishly gloomy lyrics;
3. As to tempo, preference is also to be given to brisk compositions over slow ones so-called blues); however, the pace must not exceed a certain degree of allegro, commensurate with the Aryan sense of discipline and moderation. On no account will Negroid excesses in tempo (so-called hot jazz) or in solo performances (so-called breaks) be tolerated;
4. so-called jazz compositions may contain at most 10% syncopation; the remainder must consist of a natural legato movement devoid of the hysterical rhythmic reverses characteristic of the barbarian races and conductive to dark instincts alien to the German people (so-called riffs);
5. strictly prohibited is the use of instruments alien to the German spirit (so-called cowbells, flexatone, brushes, etc.) as well as all mutes which turn the noble sound of wind and brass instruments into a Jewish-Freemasonic yowl (so-called wa-wa, hat, etc.);
6. also prohibited are so-called drum breaks longer than half a bar in four-quarter beat (except in stylized military marches);
7. the double bass must be played solely with the bow in so-called jazz compositions;
8. plucking of the strings is prohibited, since it is damaging to the instrument and detrimental to Aryan musicality; if a so-called pizzicato effect is absolutely desirable for the character of the composition, strict care must be taken lest the string be allowed to patter on the sordine, which is henceforth forbidden;
9. musicians are likewise forbidden to make vocal improvisations (so-called scat);
10. all light orchestras and dance bands are advised to restrict the use of saxophones of all keys and to substitute for them the violin-cello, the viola or possibly a suitable folk instrument.
OK, FOLKS, LET'S ROCK OUT!!!
1. Pieces in foxtrot rhythm (so-called swing) are not to exceed 20% of the repertoires of light orchestras and dance bands;
2. in this so-called jazz type repertoire, preference is to be given to compositions in a major key and to lyrics expressing joy in life rather than Jewishly gloomy lyrics;
3. As to tempo, preference is also to be given to brisk compositions over slow ones so-called blues); however, the pace must not exceed a certain degree of allegro, commensurate with the Aryan sense of discipline and moderation. On no account will Negroid excesses in tempo (so-called hot jazz) or in solo performances (so-called breaks) be tolerated;
4. so-called jazz compositions may contain at most 10% syncopation; the remainder must consist of a natural legato movement devoid of the hysterical rhythmic reverses characteristic of the barbarian races and conductive to dark instincts alien to the German people (so-called riffs);
5. strictly prohibited is the use of instruments alien to the German spirit (so-called cowbells, flexatone, brushes, etc.) as well as all mutes which turn the noble sound of wind and brass instruments into a Jewish-Freemasonic yowl (so-called wa-wa, hat, etc.);
6. also prohibited are so-called drum breaks longer than half a bar in four-quarter beat (except in stylized military marches);
7. the double bass must be played solely with the bow in so-called jazz compositions;
8. plucking of the strings is prohibited, since it is damaging to the instrument and detrimental to Aryan musicality; if a so-called pizzicato effect is absolutely desirable for the character of the composition, strict care must be taken lest the string be allowed to patter on the sordine, which is henceforth forbidden;
9. musicians are likewise forbidden to make vocal improvisations (so-called scat);
10. all light orchestras and dance bands are advised to restrict the use of saxophones of all keys and to substitute for them the violin-cello, the viola or possibly a suitable folk instrument.
OK, FOLKS, LET'S ROCK OUT!!!
Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
OMG!
emac.
emac.
I confused Faraday's cage, with Schrodinger's cat box....
Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
Wow!
“We can't solve problems by using the same kind of thinking we used when we created them.” - Albert Einstein
"You do not really understand something unless you can explain it to your grandmother" - Albert Einstein
"You do not really understand something unless you can explain it to your grandmother" - Albert Einstein
- paologregorio
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Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
Jeez, I don't think even Paul Whiteman's Orchestra could have performed under those restrictions. .
There is no reason to ever be bored.
...why yes, I suppose I do have a double bound guitar fetish...
"Uh, I like the double bounds. . . ."
...why yes, I suppose I do have a double bound guitar fetish...
"Uh, I like the double bounds. . . ."
- cassius987
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Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
Okay now somebody has to form an awesome concept band that rigidly abides by this... but I'll allow that they don't have to wear Nazi paraphernalia or anything. Lemmy's already got that covered anyway. (JOKING!... well sort've.)
Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
Well, I kinda agree with the banning of cowbell........
Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
Hoo-oo-wee! That's just too funny.
JimK
JimK
Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
I'd rather shovel doo doo than play for those goons anyway.
All I wanna do is rock!
Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
Sounds a bit like Lawrence Welk...
Great Ramp In My Opinion.
Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
And no wah-wah pedals!! I didn't even know they made them back then!!!!
Manta (Tim Rock)
http://www.mantaraymusic.com
1993 Plus FG, 730L-12, 4001FL, Danelectro 6/12, Storyboard Strat
http://www.mantaraymusic.com
1993 Plus FG, 730L-12, 4001FL, Danelectro 6/12, Storyboard Strat
Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
11. Or whatever...
Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
John - Wah-wah-wah!!
Manta (Tim Rock)
http://www.mantaraymusic.com
1993 Plus FG, 730L-12, 4001FL, Danelectro 6/12, Storyboard Strat
http://www.mantaraymusic.com
1993 Plus FG, 730L-12, 4001FL, Danelectro 6/12, Storyboard Strat
Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
Nazi-smatzi. Those were the rules for my high school dances!
Re: NAZI RULES FOR JAZZ "IMPROVISATION"...
When reading this...I almost immediately thought of Djhango Reinhardt.
http://thesocietypages.org/socimages/20 ... ld-war-ii/
http://thesocietypages.org/socimages/20 ... ld-war-ii/