You are the privileged one to finance the restoration of this bass.bassduke49 wrote:I CALLED IT!
What do I win?
Or, a free one night's stay at the Roycroft Inn (on Dorothy?)
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You are the privileged one to finance the restoration of this bass.bassduke49 wrote:I CALLED IT!
What do I win?
You win my eternal gratitude ....or a signed CDbassduke49 wrote:I CALLED IT!
What do I win?
A signed CD?corduroyboy wrote:You win my eternal gratitude ....or a signed CDbassduke49 wrote:I CALLED IT!
What do I win?
Hi Richard, nice to see you posting here. I saw Corduroy a couple of times in Blackpool in the 90s and was quite a big fan. Was a bit disappointed that at the time you were using a Gibson as I'd seen the Ric on one of the album covers (as you may have guessed, I use Rics). Great gigs & nice playing though and I still have a couple of cds.corduroyboy wrote:You win my eternal gratitude ....or a signed CDbassduke49 wrote:I CALLED IT!
What do I win?
Super!corduroyboy wrote:CDs...LPs...etc..
However, indentations where the tuners sit suggest Klusons rather than Schallers have been on the bass. Did the really early V63s sport Klusons?aceonbass wrote:The center hole of the three where the tailpiece mounting screws are is centered between the other two like the holes are for the zinc tailpiece. The center hole in the bridge pocket in the old cast aluminum tailpieces was off center to the right. I'm wondering if this is a V63. Knowing which truss rod design is in his bass would help a lot.
Agree, a 63 would have had 4 holes on the truss rod cover.opticnerve wrote:That's the original raised edge bridge pickup bobbin with fillister head screw pole pieces.
Those screws were used from '63 to probably early/mid '65 when they started using pan head screws.
You'll need a set of horse-shoe magnets for it to work.
It's not a '63. It's safe to say it's a '64.