Sure! We recorded on a cheap Behringer soundcard going through a great 70's Yamaha EM300 mixing desk using the monitor out in order to prevent digital distortion.
The Rickenbacker was going through a Marshall solid state and miced by a 58 copy, and panned right, my Jazzmaster was through a Vox Defiant amp and miced by a Sennheiser and panned left. The Squiere Precision was through a Gallien Kruger using the line out and panned left.
And finally the nice old 60's Sonor (underrated brand IMO) was miced with two overheads, a 58-copy in the bass drum and some weird stereo mic taped to the hi-hat stand as we had run out of proper mic-stands at the time. All drums except one of the overheads was panned right with the Rick.
After that we just did various vocal takes at home until we were happy. Our general problem is that the bass drum don't get enough kick and the bass could use slightly more definition - is this possible to fix without spending hard earned cash on a dedicated bass drum? Would a pre-mixing desk EQ be able to solve the problem? We'd like to keep the process as analog as possible. Can we by any means get more bass drum through post-recording EQ?
"So Ein Dinger" is done with a condenser on the left and the output from the desk (bass drum, vocals, tambourine, synth) panned right. This usually works fine with clean guitar sounds, but the (cheap and trebly) condenser don't seem to handle a spectorish wall-of-sound from two distorted guitars too well.
Any advice would be greatly appreciated
