Lennon's Fireglo 325

The history and music of the Fab Four
wolfgang
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Re: Lennon's Fireglo 325

Post by wolfgang »

deaconblues wrote:My favorite is the c58. It's just the coolest reissue ever.
yes
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DavyR
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Re: Lennon's Fireglo 325

Post by DavyR »

I now own a 1991 325V63JG and a 2006 model 1996 AFG. The 325V63JG has a thinner neck which I prefer as to the thicker neck of the model 1996. Soundwise, not a vast difference, but I prefer the 325V63JG. I'm convinced that a 15 year difference between ANY 2 exact same RIC models makes them feel/play/look very different anyway.
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brammy
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Re: Lennon's Fireglo 325

Post by brammy »

They are in it for the money.
As opposed to what... being in it for fun and giggles? RIC is a business that needs to make a payroll, maintain a factory, and (hopefully) make a profit. Aint nuthin wrong with that..... quite the contrary.

ps: I LOVE the looks of the slash sound hole
360.jpg
wolfgang
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Re: Lennon's Fireglo 325

Post by wolfgang »

brammy,
brammy wrote:RIC is a business that needs to make a payroll, maintain a factory, and (hopefully) make a profit.


This is not the point. Rickenbacker's slash sound hole, as we know it from the full scale Capri, is an unique design feature.
The Capri (3/4 and full scale) (as well as the cresting wave bass) was (and is) a very good looking, modern, "californ-i-a" design. There was no need to let these guitars look like a Stradivari.

Wasn't the story as follows: a conservative dealer (Rose Morris) ordered (a lot of!) say "more-conventional" guitars for his, as RM expected, conservative customers, to make even more money at the height of Beatle mania?
Unfortunately I can't remember, where I found this story...

Wolfgang
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brammy
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Re: Lennon's Fireglo 325

Post by brammy »

to make even more money at the height of Beatle mania
So.... whats wrong with that?

As for making a Rick look like a stradaverius ..... Lennon certainly didn't think the RM version was ugly. Where is it written that ALL Rickenbackers need to have a slash sound hole?.... (I'd call it a "swoosh" but I think that one is patented)
wolfgang
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Re: Lennon's Fireglo 325

Post by wolfgang »

brammy,
don't take it too seriously. It's just a matter of taste or what you like. Lennon had no problem regarding to conventional shaped F-holes and his
Casino.
What I wanted to say was the trivial fact: the slash sound hole was an intentional design feature of the full scale Capri. A trademark.

Wolfgang
wolfgang
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Re: Lennon's Fireglo 325

Post by wolfgang »

Richard R. Smith
The History of Rickenbacker Guitars
1987 Centerstream Publishing

pp.219-220
"The British ordered the hollow body guitar models with traditional F sound holes. According to distributor Roy B. Morris, there was a great demand in England for a "more traditional and elaborate design like Gibson and Gretsch." After May 1966, Rose, Morris did not require the F hole. They believed that dropping
the special request would help Rickenbacker hasten delivery of guitars. Nevertheless, Rickenbacker still shipped many guitars to Europe featuring the F sound hole."
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deaconblues
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Re: Lennon's Fireglo 325

Post by deaconblues »

That Rose Morris spec changed the full-scale guitars, yes.

But as I've pointed out, the 325 model always had a traditional f-hole, aside from the first 8 or so -- which could essentially be considered prototypes -- and Lennon's '64 models.

Rose Morris 1996s were basically identical to US-distributed 325s, including the f-hole.

The reason for the f-hole on 325s, I have heard, was that people thought the solid topped models weren't hollowed out. In the 50s, a hollow body guitar was more valued, while solid body guitars were seen as cheap.
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