your live set-up
Posted: Fri Feb 15, 2008 2:08 pm
Nearly every artist I see perform these days has an acre of effects pedals in front of him/her on stage -even if they're just strumming chords. Now I am by no means a guitar-cable-amp purist. I have scores of pedals -I just don't keep every single one on my pedalboard.
When rehearsing I use the same configuration as when I perform. For the last six months it has been this:
Guitar (Rickenbacker 1997, Epi Elitist Country Deluxe, Phantom Teardrop XII)
\
Mogami Gold cable
\
Korg tuner
\
Boss CS3 Compressor (I stopped using the Aphex Punch Factory)
\
Voodoo Labs Sparkle Drive (the best OD on the planet - love the clean function)
\
BBE Boosta Grande (clean boost +25db)
\
[all linked with George L's cable]
\
Fender Super Sonic amplifier-------------------------------[BBE Sonic Stomp in effect loop]
The amp footswitch lets me switch between Vibrolux & Bassman on the 'vintage' channel and also has a high gain 'modern' channel (which is a few DBs quieter than the vintage???). I use the effects loop switch to engage the BBE maximizer.
I actually run my acoustic through the amp also (Tacoma C1C Chief) -it actually sounds more realistic that way versus the PA.
For larger gigs I may use my Roland JC120 for the acoustic -though I'm considering a Peavey acoustic amp/PA.
My set-up is close to perfect for me. Occasionally I pine for an extra flavor of dirt. But I've been unhappy with adding a Double Drive, Fuzzface, Daddy-O, and most recently a Boss Fender Deluxe pedal. It's actually only on my Ric that I miss it. The Chet has so much gain that I can just roll the volume up for a vicious sound when needed. I rarely use modulation these days. For a while I kept my Danecho delay in the signal path (set for slapback), but I've moved away from that also.
The only other issue I have I cannot easily resolve is balancing volumes. I can dial everything in virtually flat with just enough +db on the boost to take solos over the top, but it seems I always end up too loud on certain songs (no guitarist jokes please).
So......... what are you using on stage?
When rehearsing I use the same configuration as when I perform. For the last six months it has been this:
Guitar (Rickenbacker 1997, Epi Elitist Country Deluxe, Phantom Teardrop XII)
\
Mogami Gold cable
\
Korg tuner
\
Boss CS3 Compressor (I stopped using the Aphex Punch Factory)
\
Voodoo Labs Sparkle Drive (the best OD on the planet - love the clean function)
\
BBE Boosta Grande (clean boost +25db)
\
[all linked with George L's cable]
\
Fender Super Sonic amplifier-------------------------------[BBE Sonic Stomp in effect loop]
The amp footswitch lets me switch between Vibrolux & Bassman on the 'vintage' channel and also has a high gain 'modern' channel (which is a few DBs quieter than the vintage???). I use the effects loop switch to engage the BBE maximizer.
I actually run my acoustic through the amp also (Tacoma C1C Chief) -it actually sounds more realistic that way versus the PA.
For larger gigs I may use my Roland JC120 for the acoustic -though I'm considering a Peavey acoustic amp/PA.
My set-up is close to perfect for me. Occasionally I pine for an extra flavor of dirt. But I've been unhappy with adding a Double Drive, Fuzzface, Daddy-O, and most recently a Boss Fender Deluxe pedal. It's actually only on my Ric that I miss it. The Chet has so much gain that I can just roll the volume up for a vicious sound when needed. I rarely use modulation these days. For a while I kept my Danecho delay in the signal path (set for slapback), but I've moved away from that also.
The only other issue I have I cannot easily resolve is balancing volumes. I can dial everything in virtually flat with just enough +db on the boost to take solos over the top, but it seems I always end up too loud on certain songs (no guitarist jokes please).
So......... what are you using on stage?