Glasstone "Lill G"

Non-Rickenbacker Basses, Fretless Basses & Effects

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jps
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Re: Glasstone "Lill G"

Post by jps »

I'd like to hear how that 2-12 Glasstone cab sounds like compared to my LDS 2126.
LDS_2126-1200_9724.jpg
Granted, the form factor is different but the cab has tilt back handle and wheels on it (along with side bar handles) so it is a very easy schlep.

It can handle 900 watts! :mrgreen:

Keep in mind that the wattage rating for all speaker cabinets are for their thermal limits, the drivers will most likely not get that far, mechanically.
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T28
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Re: Glasstone "Lill G"

Post by T28 »

IS that LDS based on the fEARful design...or similar?

I have a 12/6/1 stack and the Lil'G performs on equal terms in my estimation. They both sound slightly different but you could not go wrong with either.
and the Lil'G is less than 1/2 the price of the fEARful stack.
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jps
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Re: Glasstone "Lill G"

Post by jps »

It is probably similar but I asked Don to come up with his own design; actually fEARful never came up in any of our conversations, this is more a big version of the 286 he built previously for me.
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T28
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Re: Glasstone "Lill G"

Post by T28 »

Looks really nice. How much does it weigh?
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jps
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Re: Glasstone "Lill G"

Post by jps »

More than the Glasstone, both are around 51 lbs. which indicates how well made these are. The 286 feels like one solid block with no resonances at all; the 8" drivers in it are Ciare NDC8-3, very nice and heavy duty which contributes a bit to the weight. The 12" drivers in the 2126 are Eminence 3012LFs. Both cabinets have 18Sound 6ND410 mid drivers, and custom designed and built crossovers by Ralf Patterson.
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T28
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Re: Glasstone "Lill G"

Post by T28 »

Don't forget NAMM attendees that there is a Glasstone Lil'G at the Buebaker booth,#4860.
Might be a great chance to check it out if you are interested in one of these..
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cjj
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Re: Glasstone "Lill G"

Post by cjj »

Cool, someone who's there, please go by and give a report...
:D 8)
I have NO idea what to do with those skinny stringed things... I'm just a bass player...
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rickenbrother
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Re: Glasstone "Lill G"

Post by rickenbrother »

Every time I went by the booth, there was either a crazy line for a signing that came from some other booth blocking the way, or the space (which was small) was taken up by a bassist or bassists who main intention was to show everyone how fast they could pop and slap 1,000 notes, playing only through the Epifani AL-112 combo.
The JETGLO finish name should be officially changed to JETGLO ROCKS! :-)
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jps
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Re: Glasstone "Lill G"

Post by jps »

rickenbrother wrote:Every time I went by the booth, there was either a crazy line for a signing that came from some other booth blocking the way, or the space (which was small) was taken up by a bassist or bassists who main intention was to show everyone how fast they could pop and slap 1,000 notes, playing only through the Epifani AL-112 combo.
In other words, a pretty typical NAMM Show scenario. :!:
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rickenbrother
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Re: Glasstone "Lill G"

Post by rickenbrother »

jps wrote:
rickenbrother wrote:Every time I went by the booth, there was either a crazy line for a signing that came from some other booth blocking the way, or the space (which was small) was taken up by a bassist or bassists who main intention was to show everyone how fast they could pop and slap 1,000 notes, playing only through the Epifani AL-112 combo.
In other words, a pretty typical NAMM Show scenario. :!:
As far as that's concerned, worse than the bass guitar section of any Guitar Center, on any Saturday!
The JETGLO finish name should be officially changed to JETGLO ROCKS! :-)
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T28
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Re: Glasstone "Lill G"

Post by T28 »

I thought that the Glasstone/Kustom setup sounded better than the Epifani but admittedly I am biased because I own a Lil"G. IMHO the Epifani sounded more bloated and not as clear. The Glasstone cut through the noise much better.

I have know idea what the Epiani cost but it was definitely bigger and bulkier. I also thought that the Glasstone sounded much better with my Tecamp Puma 900 than with the Kustom head.

And I agree with Joey 200% about the poppers and slappers trying to show everyone how fast they could play. As a matter of fact, I would say that 95% of the bass sounds I heard over 3 days was this type of playing.
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jps
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Re: Glasstone "Lill G"

Post by jps »

T28 wrote:And I agree with Joey 200% about the poppers and slappers trying to show everyone how fast they could play. As a matter of fact, I would say that 95% of the bass sounds I heard over 3 days was this type of playing.
Unfortunate...I thought that went out with the last decade, for the most part.
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rickenbrother
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Re: Glasstone "Lill G"

Post by rickenbrother »

T28 wrote:And I agree with Joey 200% about the poppers and slappers trying to show everyone how fast they could play. As a matter of fact, I would say that 95% of the bass sounds I heard over 3 days was this type of playing.
...and they all sound the same!! It seems like a rerun when you go from one bass amp or boutique bass guitar booth to another!! :roll:
The JETGLO finish name should be officially changed to JETGLO ROCKS! :-)
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