This is Cool...

The history and music of the Fab Four
rhinobass
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This is Cool...

Post by rhinobass »

roadrunners
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Post by roadrunners »

Haha, (air conditioned if possible) most little bands of today wouldnt accept that!
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rictified
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Post by rictified »

Air conditioned cars were not common in 1965. They were around but were hardly standard equipment even in Cadillacs which were THE cars to have here in 1965.
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Post by dougp »

Wow! Big differences between 1965 and 2005. Especially item #5, holy **** (pretty scary that was only 40 years ago)! I would suspect that wasn't a problem in Portland, but I know that in New Orleans (and presumably many other cities in the south), integrated audiences were *illegal* until the early 60s.
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Post by roadrunners »

Yea, but even if it was uncommon......a band such as the beatles could have requested just about anything.....rare or uncommon and gotten it
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rictified
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Post by rictified »

Not down South, people were getting killed down there for marching for integration. Beatle records got burned by the religious right during the mid 60s's because of a stupid remark by Lennon. Very different times then. Our wonderful country is still very racist.
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Post by roadrunners »

.....i meant the air conditioned cars.......
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lennonon
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Post by lennonon »

wow - this is very interesting....

Cool stuff....
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atomic_punk
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Post by atomic_punk »

Bob, did you notice the clause that they will "not play before a segregated audience"?
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dougp
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Post by dougp »

Steve, that's the item #5 that I mentioned above (which, I think, Bob was also referring to). It's important to note that most Europeans were completely dumfounded by American racism & segregation at the time. Even in New York City, in the mid-60s, it was considered scandalous for a bunch of (mostly or entirely) black jazz musicians to discuss music with a European jazz fan in her hotel room, wheras that was completely normal for touring musicians in Paris, where it would have been considered a sign of cultural awareness. Reading about what some of the great American jazz musicians had to go through in the 40s and 50s (when things were even worse) is generally pretty scary and disconcerting ...
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brammy
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Post by brammy »

http://www.beatlesource.com/savage/main.html

Yes... that is a GREAT site.

On another note, I was just looking up the chords for the song "Badge" by Cream and I noticed that the writing credits are to Clapton AND his buddy George Harrison. Never knew that.
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webhead
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Post by webhead »

I think Ringo gave "Badge" the name too.
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Scastles
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Post by Scastles »

The title came from a misread, Harrison had scribbled down where the 'bridge' was supposed to go on the sheet of lyrics, Clapton read it as 'Badge', thus the title, or at least the lore.

The lyrics supposedly came from Ringo when he was spouting gibberish under the influence of soemthing...and the lyrics sound like gibberish.
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Post by jingle_jangle »

The swans live in the park. Perfect sense. Where else where they live?

My Soundlab has a preset called "Badge." Maybe it means "bridge"?
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brammy
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Post by brammy »

Image Image Image

Dang... I'm thinking of contacting that guy with the time machine. And the only weapon I'd bring wouldbe a few scotch'n'cokes.
“The urge to save humanity is always a false front for the urge to rule it.” ....H. L. Mencken
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