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Exceptional restoration is in the details

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studiotwosession
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Post by studiotwosession »

Now, that's service we just don't have on the East Coast.
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shamustwin
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Post by shamustwin »

Paul,
I'm reluctant to mess with my 4005 at this point, it's in decent shape, though, dang, that Aquaglo is the color of my dreams.
I do have a V63MG with absolutely no woodgrain showing through. Pretty bland. How do you think the Aquaglo would look on such a plain guitar?
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bassduke49
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Post by bassduke49 »

Paul W. Thanks. I'll have Ted S. send the hardware to you for reassembly. If you have room to haul it to the 75th "homecoming," great. You bring the bass (case and carton, too, please), and I'll bring a check! Hope to see photos soon!
Author: "The Rickenbacker Electric Bass - 50 Years As Rock's Bottom"
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studiotwosession
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Post by studiotwosession »

Hey Paul, do you have any Ric amps?
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jingle_jangle
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Post by jingle_jangle »

Yep. A PA-120 that I got from Tracey Sands last year.

That's a 4-channel SS/reverb PA amp. 120 watts. Abuckawatt. Bargain!
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
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johnhall
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Post by johnhall »

Did you get the "suitcase" speakers with that or the columns? Those little speakers were simply amazing. Another feature that PA has is an anti-feedback control that really works, without any change to the audio. It's a phase control, the obvious way to control feedback and I don't understand why other PA's don't have this.
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studiotwosession
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Post by studiotwosession »

Cool. I'd like to see a pic of that, with the speakers.

I did find this though:

http://cgi.ebay.com/Rickenbacker-PA-120 ... dZViewItem
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jingle_jangle
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Post by jingle_jangle »

All I got was the raw amp, John. But I'll keep an eye out for the speakers...anyone got any pictures???
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
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bassduke49
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Post by bassduke49 »

Paul, and photos of your current projects for us to look at?
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johnallg
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Post by johnallg »

How about the finished AquaGlo 325!

http://www.rickenbacker.com/forum_view_ ... 372&Page=2

Awesome....
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jingle_jangle
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Post by jingle_jangle »

I happen to have this '72 4001 that I'm rebinding and refinishing for a Mr. Paul Boyer...

It had the original checkerboard binding, which had deteriorated over the decades and turned nearly transparent--it was quite yellow besides.

I've stripped the binding and redone the checkerboard and the outer celluloid. The bass came to me stripped, but with the maple sanded roughly and quite scratched in places. It now has been finish-sanded and all hairline gaps filled (important in a rebinding job, as the clearcoat tends to resist filling gaps bigger than microscopic in size!). It is ready for sealer and will receive color in the next few days...

The first photo shows an area where the binding rabbet had been incorrectly cut, leading to a tapered end on the binding, which must've looked weird...I recut the end at the blue area to make it consistent in width.

http://i63.photobucket.com/albums/h146/jangle_jingle/Mink%2072/DSC00066.jpg

Here's the body ready for the double binding:

http://i63.photobucket.com/albums/h146/jangle_jingle/Mink%2072/DSC00065.jpg

Here's the checkerboard being applied. I prefer to use tape to hold the binding, rather than rubber bands. I also have my own binding cement that I make up.

http://i63.photobucket.com/albums/h146/jangle_jingle/Mink%2072/DSC00068.jpg

http://i63.photobucket.com/albums/h146/jangle_jingle/Mink%2072/DSC00070.jpg

Here's the bass with the checkerboard applied, ready for the white outer binding:

http://i63.photobucket.com/albums/h146/jangle_jingle/Mink%2072/DSC00073.jpg

A closeup of the upper horn:

http://i63.photobucket.com/albums/h146/jangle_jingle/Mink%2072/DSC00075.jpg

The beginning of the application of the white outer binding:

http://i63.photobucket.com/albums/h146/jangle_jingle/Mink%2072/DSC00076.jpg

Next, a closeup of the completed binding job, before levelling, which is done by scraping:

http://i63.photobucket.com/albums/h146/jangle_jingle/Mink%2072/DSC00082.jpg

Another closeup of the binding, after scraping:

http://i63.photobucket.com/albums/h146/jangle_jingle/Mink%2072/DSC00089.jpg

The finished and scraped binding project:

http://i63.photobucket.com/albums/h146/jangle_jingle/Mink%2072/DSC00112.jpg
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
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johnallg
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Post by johnallg »

Love those checkered bindings!! That pic you have labeled ready for white outer (filename ends in 073) for some reason reminds me of cowboys, a western feel. Would make an interesting look with just checkered, no white outer.... Course for about 20 years of my life I was convinced I was a cowboy in a past life!

Looking forward to seeing MinkGlo! Oh, and nice inlays.
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bassduke49
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Post by bassduke49 »

Oh, beautiful, Paul. It's so good to see her again, even though she's mostly naked. Great binding job, as I expected. Can't wait to see the Mink coat.
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espidog
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Post by espidog »

What a marvellous set of pictures! It's a joy to see such craftsmanship first-hand. Will there be further pics as the project proceeds?
2004 4003 JetGlo
Epiphone Jack Casady
Ovation Magnum 1
Mania VTB-4BS
Dean Stylist w/ John Birch Magnum II pups
Yamaha BB414
Trace Elliot VA350/GP11 Mk1
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sowhat
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Post by sowhat »

Lovely! What color is it gonna be (or is that a secret)?
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