Wild Horses

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charlyg
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Wild Horses

Post by charlyg »

I've always liked this tune

http://www.youtube.com/watch?v=UhyTsZuhvfk
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beatlefreak
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Post by beatlefreak »

A great version of a great song.
Ka is a wheel.
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jingle_jangle
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Post by jingle_jangle »

Possibly the best version on film, from maybe 1985-ish?

In Rio they butchered it; Jagger's voice was from some kind of cartoon.

Keith Richards played a 10-string Guild viola caipira ("cowboy guitar" in Portuguese) instead of the usual 12er. That made it worth watching.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
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sloop_john_b
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Post by sloop_john_b »

Just tuned my acoustic to Open G and did my best to cop the chords. I never realized how gorgeous the chord voicings were on this tune!
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kenposurf
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Post by kenposurf »

Sweet!
Reverb set to stun !!
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firstbassman
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Post by firstbassman »

Yup, great version.
(Though the video quality was terrible.)

Ya know, every time I hear this song I can't help think of the "Gimmie Shelter" scene of them listening back in the studio to WH, with Richards tapping his snakeskin boots.
phlemmy

Post by phlemmy »

Keith's voice is awesome.
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peewee
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Post by peewee »

From what I read many moons ago, Keef actually used a "high strung" acoustic guitar for this LP track. Some folks call it a "Nashville tuning"; where the octave strings from a 12 string set are used. The 1st two strings - the E and B - are unchanged. Then, the lower 4 strings - G through E - are tuned an octave above standard tuning. Only the low E is wound and the others are plain.

Here's a link to help explain it better:

http://www.guitartips.addr.com/tip164.html
Wherever you go, there you are
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firstbassman
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Post by firstbassman »

Sean, ya know, call me crazy but I always thought that KR has a GREAT backup voice for this kind of folk-blues-country type of stuff.
And fits in and complements Mick's voice really well.

For singing lead, it never seemed to work as well for some reason.
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lyle_from_minneapolis
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Post by lyle_from_minneapolis »

I hear you, Mark--alone he can sound sort of strangled and lacking in timbre. But he blends in a fine way with harmonies, even with some of the sloppy, out of tune back-ups...it just works. But I love his vocals on "Happy" and I also think contrasting him to a singular rock voice like Jagger probably sways us more than he deserves. Of course, I'm a big fan. Keith is easy to criticize, bloody difficult to imitate.

Unless you're Johnny Depp.
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firstbassman
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Post by firstbassman »

Mark K - yup, perfectly put.
Agree 10,000%.
About "Happy" too.

Uh-oh. Approaching the magic number . . .
phlemmy

Post by phlemmy »

I love all of the Keef sings with the Stones and on his solo albums.

If you like his style, check out some of the Izzy Stradlin records. He's the reincarnation of a living legend.
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brammy
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Post by brammy »

good one... is that Phil Specter in the background?
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brammy
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Post by brammy »

It looks indeed like Keef was using the Nashville tuning and not his usual G-tuning. I gotta try this...
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sloop_john_b
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Post by sloop_john_b »

He is not in Nashville tuning in the video. Jes' plain open G, as Charly, Jerry, and others who saw me play it this weekend can attest to.
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