The tone that comes out of this girl is beautiful, unfortunately, she does not intonate so anything above the 4th or so fret doesn't sound very good. The gentleman that I spoke to here in NH suggested that I could have a compensated fretboard put on that would be ground to fit the altered profile of the neck which would be the least expensive way to make it playable again. Like I said there fret job done on this removed chips from the original fingerboard that were filled and the fretboard really doesn't do any justice to the instrument. But, also, it is a 90 year old instrument and everything with the exception of the frets is original.
So I am asking you insightful guys and gals for your opinion. Is it better to have a trophy piece that is unplayable or to have a classic mostly original instrument that you can play and sounds wonderful? The market on these old Mandos isn't what I would call lucrative anyway, the most desirable antique Mandolins are the F5 Gibsons without question.
I was told a fret board could be made and installed for around $600. And the luthier in question is a mandolin crafter who also happens to be one of the authorized Martin repair shops in my area. He hand carves his F5 style tops and is an exceptional woodworker. He also happens to be a big Rick enthusiast
