The Inclusion of the Chords VI, bVI/b2, IIm7b5, VIIm7b5

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rubendiaz
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The Inclusion of the Chords VI, bVI/b2, IIm7b5, VIIm7b5

Post by rubendiaz »

Documentary “Paco de Lucia The Only True Innovator (24) On Flamenco Contemporary Guitar”

This is a series of videos that will elaborate on the thesis:


Video 24:
http://www.rdiaz.org/rdvideo456.html














“Paco de Lucia The Only True Innovator on Flamenco Contemporary Guitar”

My best work ever:
http://www.rdiaz.org/rdpacoart.html

1) http://www.rdiaz.org/rdpacoart1.html
{ 2) http://www.rdiaz.org/rdpacoart2.html
*(This video its related to 2th page of the article) }
3) http://www.rdiaz.org/rdpacoart3.html
4) http://www.rdiaz.org/rdpacoart4.html
5) http://www.rdiaz.org/rdpacoart5.html
6) http://www.rdiaz.org/rdpacoart6.html
7) http://www.rdiaz.org/rdpacoart7.html
8) http://www.rdiaz.org/rdpacoart8.html
(On the article, by clicking on the words on red you will go to the video or piece that is being analyzed)

The Thesis:
“Paco de Lucia The Only True Innovator On Flamenco Contemporary Guitar”

(Will be explained in this series of video lessons, so that cultured public can appreciate
easily and get practical / audio-visual examples on the scientific analysis about the supreme & -second to none- contributor of flamenco contemporary music)
“Paco de Lucia The Only True Innovator Of Flamenco Contemporary Guitar”

1) http://www.rdiaz.org/rdvideo433.html

2) http://www.rdiaz.org/rdvideo434.html

3) http://www.rdiaz.org/rdvideo435.html

4) http://www.rdiaz.org/rdvideo436.html

5) http://www.rdiaz.org/rdvideo437.html

6) http://www.rdiaz.org/rdvideo438.html

7) http://www.rdiaz.org/rdvideo439.html

8) http://www.rdiaz.org/rdvideo440.html

9) http://www.rdiaz.org/rdvideo441.html

10) http://www.rdiaz.org/rdvideo442.html

11) http://www.rdiaz.org/rdvideo443.html

12) http://www.rdiaz.org/rdvideo444.html

13) http://www.rdiaz.org/rdvideo445.html

14) http://www.rdiaz.org/rdvideo446.html

15) http://www.rdiaz.org/rdvideo447.html


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Re: The Inclusion of the Chords VI, bVI/b2, IIm7b5, VIIm7b5

Post by admin »

Ruben: Another nice history lesson for those of us who are still getting acquainted with the style and talents of Paco De Lucia.

In this piece #24 I also hear a passage that is very reminiscent of music during the medieval period (1:40 to 2:00 or so in your video). Very light and airy almost from King Arthur's court and yet with the forcefulness and fullness of the flamenco style. A very unique passage that fills up our senses.
Life, as with music, often requires one to let go of the melody and listen to the rhythm

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rubendiaz
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Re: The Inclusion of the Chords VI, bVI/b2, IIm7b5, VIIm7b5

Post by rubendiaz »

Thanks maestro Peter I agree with you in fact ,flamenco guitar in its essence is universal music,it’s a style in my opinion that should be demystified and render available hence it can be either played as a style itself and also (which is even more fun) can be used as a tool by guitar players of other any styles.


Thanks again
All the best!
Ruben
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