Best comment in this thread.shamustwin wrote:One cannot imagine the music biz getting more cynical, but it just keeps topping itself, as it has done, well, probably from it's inception.
ANATOMY OF A HIT--HAW HAW
Moderator: jingle_jangle
Re: ANATOMY OF A HIT--HAW HAW
Re: ANATOMY OF A HIT--HAW HAW
Internet streaming...johnallg wrote:XMcjj wrote:I have to say that, since I've moved, I'm quite happy to find several radio stations that DON'T play that stuff continuously...
I have NO idea what to do with those skinny stringed things... I'm just a bass player...
Re: ANATOMY OF A HIT--HAW HAW
Yeah, that too. How do you do that when you're on the road?cjj wrote:Internet streaming...johnallg wrote:XMcjj wrote:I have to say that, since I've moved, I'm quite happy to find several radio stations that DON'T play that stuff continuously...
Re: ANATOMY OF A HIT--HAW HAW
Well, yeah. That is a problem. Of course, the iPod docking cable helps...
I have NO idea what to do with those skinny stringed things... I'm just a bass player...
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Re: ANATOMY OF A HIT--HAW HAW
Keef, from his book, "Life"
"...both "Brown Sugar" and "Wild Horses" were done in two takes...The thing about eight-track recording was it was punch in and go. And it was the perfect format for The Stones. You walk into a studio and you know where the drums are going to be and what they sound like. Soon after that, there were sixteen and then there were twenty four tracks, and everyone was scrambling around these huge desks. It made it much more difficult to make records. The canvas became enormous, and it becomes much harder to focus. Eight-track is my preferable means of recording a four-, five-, six-piece band."
"...both "Brown Sugar" and "Wild Horses" were done in two takes...The thing about eight-track recording was it was punch in and go. And it was the perfect format for The Stones. You walk into a studio and you know where the drums are going to be and what they sound like. Soon after that, there were sixteen and then there were twenty four tracks, and everyone was scrambling around these huge desks. It made it much more difficult to make records. The canvas became enormous, and it becomes much harder to focus. Eight-track is my preferable means of recording a four-, five-, six-piece band."