Rickresource Rickenbacker Forum

maybe this one:
http://www.musiciansfriend.com/product/ ... sku=510157

Nice - sort of like a 'J' on steroids.

walker wrote:

kiramdear wrote:I used to love Gibson basses in the old days. Give me a Ripper or an EB3 and I'll be a happy camper in a rickless world.

And even though the promo photo looks a bit horrific, the gent in the Gibson Ripper add seems to be enjoying himself quite a bit, all things considered.



Sorry for the throwback to page 1 - I couldn't resist.

Judging from those pickups it must be a prototype.

The Fender Roscoe Beck sig is a great sounding passive bass. Here's the one I had back in about '04. Mine had a funky neck, and I could never get the action quite low enough, so it had to go.

Lots of regret for getting rid of it. I'd pick up another in a minute if the cash flow would allow.

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Billsbro wrote:.....I wanted to tell Jeff that his Larrivee is gorgeous! Beautiful rosewood and that fretboard inlay is exquisite! The cutaway makes the parlor look so different from mine. I thought I had stopped thinking about the concept another Parlor but now you have me thinking! Damn you, Sock Monkey!

Thanks, Stephen.

My Larrivée is not a parlor, it is Jean's original L body shape. It is a cross between a classical and OM body style, sort of, considerably larger than a parlor, and the neck joins the body at the 14th fret, unlike a parlor guitar's 12th fret join.

BTW, I bought it used, I couldn't afford it if it were new. Even used Rick acoustic guitars cost waaaayyyyy more than this did.

cheyenne wrote:The Fender Roscoe Beck sig is a great sounding passive bass. Here's the one I had back in about '04. Mine had a funky neck, and I could never get the action quite low enough, so it had to go.

Lots of regret for getting rid of it. I'd pick up another in a minute if the cash flow would allow.

roscoe beck resized.jpg

Weird thing about the shape of that bass is its a little P and a little J at the same time but it growls unlike both basses. Its too bad Fender discontinued the V but you can get the IV still, it just takes some extra paperwork. Like I said before Roscoe is a friend of mine and sort of a guiding light in a different style of music than I'm used to playing.

have to admit though, playing anything other than my rics still feels like cheating

I'd like to try a Roscoe Beck IV; I did get to play with the 5 string version but found the neck to be baseball bat-like. The passive electronics in it did sound great, though, which is why I want to check out a 4 string version.

Really Jeff? The one I had was nice and shallow from the thumb to the fingers, but nice, wide and flat otherwise. But then again, I like "wide fives".

I had the same issue with the Rick Turner RB5FL I used to have, I like thinner necks with slightly narrower string spacing than 3/4" at the bridge. I have a feeling the neck profile probably is the main issue as the Martin Keith Elfin 5 fretless bass does have 3/4" bridge spacing but a very nice profile and thinness, especially where it counts, near the body.

If I didn't have my Ricks: I have a ~90 made in Korea Squier II P-bass with a maple neck that I used to hate but now I've come to like. It's got a great growl. But I think I'd like to try a Burns Bison bass. Very unique looking. Anybody have one or have tried one?

Tony Matura (opticnerve) had one for awhile. Maybe he'll chime in here.

My Lakland DJ4 lake blue placid has been my favourite of all after my Ric !!! Great neck, superb punchy tone, excellent bass !

jps wrote:

Billsbro wrote:.....I wanted to tell Jeff that his Larrivee is gorgeous! Beautiful rosewood and that fretboard inlay is exquisite! The cutaway makes the parlor look so different from mine. I thought I had stopped thinking about the concept another Parlor but now you have me thinking! Damn you, Sock Monkey!

Thanks, Stephen.

My Larrivée is not a parlor, it is Jean's original L body shape. It is a cross between a classical and OM body style, sort of, considerably larger than a parlor, and the neck joins the body at the 14th fret, unlike a parlor guitar's 12th fret join.

BTW, I bought it used, I couldn't afford it if it were new. Even used Rick acoustic guitars cost waaaayyyyy more than this did.

Oh, of course...I got blinded by your first mention of the Parlor you had considered. The Larivvee nubering system makes sense...the "L" is the giveaway. And yes, used guitars are the way to go much of the time...I couldn't have afforded most of my collection without picking. HGow spendy ARE the Rick acoustics? (Sorry to stray from the topic but technically, if not for the 4003, I WOULD be playing my acoustics more!!)

Topic straying is not a problem here. It's a part of free-flowing conversation, which we encourage. We run ourselves some doozies of a tangent from time to time!