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Posted: Wed Mar 22, 2006 11:33 am
by sabbath_of_bass
I was thinking about the dean right off. Cause well i already own 4. I like all of them too. But I heard it was heavy and not all that great.
Sam ash is something i heard about. I think i played one actually. Silver Sparkles? Did they do that?
Iv actually never played a washburn anything.
Jared... remember under a thousand?
Teasing isnt nice.
Posted: Wed Mar 22, 2006 12:05 pm
by atomic_punk
My 12 string sounds, according to my guitar player, like a "Bass Piano". Like a bass and rhythm guitar player playing at the same time. Fills up a LOT of space, sonically.
Posted: Wed Mar 22, 2006 12:50 pm
by doctorwho
Posted: Wed Mar 22, 2006 4:06 pm
by jnbass
heavy metal
Posted: Wed Mar 22, 2006 5:08 pm
by sabbath_of_bass
Well.... I guess thats one way to take care of any neck problems huh?
Posted: Wed Mar 22, 2006 6:06 pm
by rickenbrother
You guys have to give me GAS for an 8 string!!
I had gone right to 12 strings, which I'be been told sounds like a bass sitar. LOL
Posted: Wed Mar 22, 2006 6:12 pm
by sabbath_of_bass
I was planing on ramping my way up... 8 then 12... I have a bad tendancy to jump into something head 1st.... and normally pull out okay but... you know sometimes... ehh. And I heard 12 strings are a beast to play.
Posted: Wed Mar 22, 2006 6:32 pm
by rickenbrother
You can't play a 12 as effortlessly as a 4 or 5, but as long as it is good setup well, after a while. you get used to it.
Posted: Wed Mar 22, 2006 6:39 pm
by sabbath_of_bass
Iv played a 8 string. And I was told I took to it pretty well. I normally do. I didnt have a hard time learning 5 or fretless or any of that.
Posted: Wed Mar 22, 2006 7:08 pm
by teb
Charly, I wouldn't say that 8's are limited to metal music. They can add an interesting "drive" (for lack of a better word) to certain songs in various styles of music. Here is a very old (1972) recording where I'm playing a Hagstrom 8-string. There are three acoustic guitars in the mix and vocals - no percussion and no other instruments so you can get a feeling for how full the sound of the eight is. Playing harmonics is also pretty cool because you get some neat bell chime tones. Eight-string is one of those sounds that I wouldn't care to hear on every song, but it has it's moments. The recording itself is a little naive, but I had just turned 20 years old when we made it and I think the oldest guy in the band was 23 at the time. My how time flies....
http://webpages.charter.net/tbradshaw/The%20Reason%201972.mp3
Posted: Wed Mar 22, 2006 7:23 pm
by charlyg
My post got blasted somehow. I liked the bass line! I am 54 so we "grew up" on the same stuff. The bell tones are cool. I don't think I need to go buy one tho.
I'll listen a bit more over the next few days to hear more of it. I had a screed about the Eagles but it was not obviously not meant to be read........
Posted: Wed Mar 22, 2006 9:37 pm
by jnbass
"Hotel California" on a 12 string Hamer!
Posted: Wed Mar 22, 2006 9:51 pm
by blueflamerick
Posted: Thu Mar 23, 2006 4:03 am
by pekka
Todd, that was a great clip and the Hagström sounded good. Mike Rutherford used it on a couple of late 70's Genesis songs ("One For The Vine" and "Burning Rope" plus a live version of "I Know What I Like")and he got a similar sound out of it.
I play a Waterstone Tom Petersson model 12-string. Sounds and looks great and the neck is very comfortable. It's very wide but flat.
Posted: Thu Mar 23, 2006 6:43 am
by lshaia
I just received this last night:
Very wide but flat indeed! Doesn't seem too hard to play (the neck I mean, all those strings will take some getting used to).