Studio refit

A round-table feedback exchange
jeff_ulmer
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Post by jeff_ulmer »

Looks good, I like the pine accents.
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tony_carey
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Post by tony_carey »

Very, very nearly there now....

Image

Image

Image

The booth needs finishing, a bit of wiring left to do, still some wood trim, painting & door furniture & some odds & ends!
'Rickenbacker'...what a name! After all these years, it still thrills me.
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ozover50
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Post by ozover50 »

Looks fantastic, Tony! What happened with the last pic....... no Marshall?? Image

Wait..... maybe the chair is a Marshall........
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tony_carey
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Post by tony_carey »

I know Howard....I LOVE my Marshall!
'Rickenbacker'...what a name! After all these years, it still thrills me.
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8mileshigher
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Post by 8mileshigher »

Hey Tony --- great looking studio. Where did that Rickenbacker artwork come from that is hanging on the wall ? Did you engage a local artist or buy it on the net ?
"What we've got is Blind Faith in each other" Steve Winwood, Newsweek July 28 1969

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admin
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Post by admin »

Richard: While we are waiting for Tony's detailed response, he is an artist and this is his work.
Life, as with music, often requires one to let go of the melody and listen to the rhythm

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tony_carey
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Post by tony_carey »

Richard, if you go here, you can see some of my work,
'Rickenbacker'...what a name! After all these years, it still thrills me.
trancedental
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Post by trancedental »

Tony how big is your vocal/acoustic/amp booth? Was it part of that room originally?

My studio space is even smaller about 10 1/2" x 12" !
Destroy DJ Rap & Synths / Robot Music!
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8mileshigher
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Post by 8mileshigher »

Tony ---- wow, I am very impressed with your artwork there.
Regards Rich F.
"What we've got is Blind Faith in each other" Steve Winwood, Newsweek July 28 1969

10 4003 FG
06 WB BRG
04 660-12 JG
03 360-12 FG
99 V64 six FG
96 650-A TQ
94 V64-12 JG
81 370-WB JG
73 480 DaphBlue
61 Cons Steel MG
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tony_carey
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Post by tony_carey »

Thankyou Richard...

John, my booth is 4'x5'. It had to acomplish three tasks...first, to be small enough to fit in the room...second, to accomodate & mic a sitting/standing acoustic instrumentlist so as not to cramp their style...third, not to be so small as to be clostrophobic when inside. I reckon that the booth is the smallest that can accomodate those three parameters.

I constructed it myself, as it wasn't part of the room. My studio size didn't allow for the thickness of walls to make it soundproof, so although it is actually pretty good in that department, it is principally for acoustic control. A small booth has to be acoustically dead, as the reverb in such a small place can be very boxy, so I have covered most of it with acoustic foam, which has done the trick nicely.
'Rickenbacker'...what a name! After all these years, it still thrills me.
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