Understood, Daniel. A specious point, nonetheless, because they do not exist in a vacuum, and in fact are tainted by illegality.Ric O'Sound wrote:Absolutely no argument from me, Paul. I'm perfectly clear on the legalities. I'm looking simply at the guitar, in its physical form, for what it is, disregarding any legal or proprietary issues.
Now, I know you have ties to Rickenbacker, but let's assume for a minute that you don't. If you were to build a convincing copy of say, a 330/12, I think anyone would be hard pressed to call the result a "POS" or "firewood", knowing what I know about your abilities. It certainly wouldn't be legal, but it wouldn't automatically make that physical piece of wood with wires on it a ****** instrument. I'm sure if it came from your hands, it would be a great player. That's the crux of my comments...I'm looking at the guitar in a vacuum, so to speak...devoid of any trade dress issues. Of course the fakers are wrong and shouldn't be made. And I'm not trying to defend it or encourage it. I thought I made that clear. Those Tokai 100% Strat copies are also "illegal"...i.e. they cannot be made anymore, but that doesn't make those that are still in existence POS guitars. That's what I was trying to say.
The existence of any illegal copy dilutes the brand and compromises the reputation of the company.
Calling all copies "POS" is probably inaccurate. Some are of better quality than others, although none equal the original.
But we're not really here to discuss relative merits of illegal merchandise, are we?
That's my point.
