jsm610 wrote:SPC was short for somewhat-period-correct.
I've been wondering for a long time what the "SPC" stood for. Many thanks John for shedding light on this. I can now appreciate that this is one of RIC's most accurate acronyms.
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jsm610 wrote:SPC was short for somewhat-period-correct.
I think if you asked anybody to describe a 1993 (if they know what one is), they'll bluntly tell you "double-bound Fireglo 12-string with dot inlays.". They're not going to get into details like x-bracing, round neck heel, headstock shape, F-hole size, fireglo shade and all the other inaccuracies of the Sam Ash and NRG run. I know it's just a matter of semantics, but I just don't consider the NRG models to be an intentional "1993 reissue."k43rover wrote:As far as I can tell, the 1987 Sam Ash "1993 reissue" guitars are little/no different with regard to accuracy of reproducing '60's specs than the later NRG 1993SPC guitars. For starters you couldn't get a much clearer non sequitur than "reissuing" a six string version of a guitar which was never originally made in that format. Both the Sam Ash and NRG guitars are way closer to each other in spec (or indeed to any standard late '80's or 90's era V series reissue) than they are to any original 1964/5 Rose Morris model 1993. Regardless, I expect most of us would have no problem agreeing that they are all stunningly beautiful guitars in their own right.collin wrote: I knew of the NRG run, but they had triangle inlays (one was recently on eBay for $3.9k). In my opinion, triangle inlays and gold plastic make it not a 1993 reissue, but a variation of the V64, with f-hole. In other words, if that was presented from RIC as a "reissue" of the 1993,I think people would quickly point out what isn't on-spec to an original 1993.
jsm610 wrote:I assume SPC was short for somewhat-period-correct.
I've also heard that Norm ordered 660-style necks for his special run as well, but the one time I met him, I never talked to him about it.collin wrote:I think the Sam Ash models were done with the intention of reissuing the 1993 (along with a 6-string version by request), whereas the NRG models were an assembly of custom specs ordered by Norm, triangle inlays, gold plastic and everything. (and apparently a couple without FWI?). BTW -did all the NRG have dual inputs as well?
Regardless of the model, they're all fantastic guitars though - that's the obvious.![]()
I could be wrong, but according to some RRF member's guess it means that (AKA it doesn't mean that). According to someone who would know it means "Special"BTW, SPC = special pickup choice (or special paint choice)***. That's why a 1997 RI with three pickups is labeled a 1997 SPC and not a 1998.
Not sure why the blunt views of "anybody" would be of interest in a detailed discussion thread like this. While I'd agree that the vast majority of people with only a passing interest and/or limited knowledge of Rickenbacker Rose Morris guitars would fall into the category you describe, I'd expect most members of this forum who have taken the time to read or contribute to this thread to be a) already well aware of the significant differences between V series reissues, original '60's vintage, and C series reissues, and able to contribute to the discussion or b) if they're not, then interested in learning more about what those differences are in the context of the Sam Ash/NRG guitars. Surely one of the main purposes of a specialist forum like this is to get into exactly this level of detail....certainly I find the detailed discussions on this type of thing both interesting and valuable.collin wrote: I think if you asked anybody to describe a 1993 (if they know what one is), they'll bluntly tell you "double-bound Fireglo 12-string with dot inlays.". They're not going to get into details like x-bracing, round neck heel, headstock shape, F-hole size, fireglo shade and all the other inaccuracies of the Sam Ash and NRG run.
Im enjoying this thread immensely.Another new 1993 would be TPs now cant recall if this is Xbraced or not ive no idea but id definitely like to see a period correct 1993 at some point in the future.Period correct,i mean all the trimmings, in a vintage FG colour.I believe if your gonna do a RI it really has to be as close to the original as humanly possible.I also understand that the chances of anything coming from Mars are a million to one.A few of these to celebrate the 50th Anniversary of Rose Morris would be cool.k43rover wrote:...certainly I find the detailed discussions on this type of thing both interesting and valuable.
IIRC the factory produced these Petty one-offs at pretty much the same time as the Pearl White UK only LE (which definitely used the X-braced C63 based body). I don't remember now whether there was ever a definitive confirmation/statement from the factory that the C63 based X-braced bodies were used for Petty's guitars but if not I think it was widely assumed at the time that they were X-braced and made at the same time as the bodies used for the Pearl Whites (and indeed the later Greenglo/Tobaccoburst X-braced LE guitars).scotty wrote: Another new 1993 would be TPs now cant recall if this is Xbraced or not....
+1scotty wrote:I'd definitely like to see a period correct 1993 at some point in the future.







I couldn't agree more. The appropriate nomenclature for this spec should be 1997 WBBS. If any regard is paid to the brand history, a "model 1993" (whether original or reissue) could only ever be a 12 string (hence my point above about the 1987 Sam Ash "1993 six string reissues" being nonsensical).jdogric12 wrote:Is a 6-string a 1993? Wouldn't that be a 1997 or 1998? (Sorry, I'm not an RM guy)