John Lennon Series
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Thanks John. Glad to see something developed with regard to the prize. It is fair as you were the only one who focused on the proper answer.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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Nothing a Nikon purist would appreciate, unfortunately. I just replaced my Coolpix 5700 that was stolen from me in St. Lucia. I almost bought the D100 instead but have too many extra extra goodies not to stick with the 5700 for awhile.
I've got a closet full of analog gear- there's an F4 in there somewhere, along with a Sinar P- but I've been a digital convert for years now and don't see myself going back. Virtually every catalog and web shot you've seen from us in the last 4 years has been a Nikon digital.
I've got a closet full of analog gear- there's an F4 in there somewhere, along with a Sinar P- but I've been a digital convert for years now and don't see myself going back. Virtually every catalog and web shot you've seen from us in the last 4 years has been a Nikon digital.
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big_g
I converted during the trip to Egypt, I deployed with a D1h and as soon as I returned home I bought a D100, great camera so far. I do wish that they would have added an ISO 100 feature and firewire instead of USB though.
If you ever get time I would like to ask about your computer grahics degree, I understand you were one the first people around in the field, is that right?
If you ever get time I would like to ask about your computer grahics degree, I understand you were one the first people around in the field, is that right?
If I didn't already have all of the 5700's accessories (or if they'd been stolen too!), I certainly would have gotten the D100 this time. But it's been a real workhorse on the new . . . uh, well, something new . . . so I'll stick with it a bit longer. I also keep one of the first Coolpix 950's in my brief case for incidental use.
There were many folks in computer graphics way ahead of me, but I was the first graduate at the Univ. of Calif. in that field. Actually, it didn't exist as a major; I managed to get the Deans of Fine Art and Computer Science into the same room, pitched the idea, and they allowed me to essentially create my own plan and they gave me the budget for it. (Computer time was very expensive then.)
Technically it's a degree in computer science but issued by the art department. That's really backwards because almost all my time was spent in computer course work.
There were many folks in computer graphics way ahead of me, but I was the first graduate at the Univ. of Calif. in that field. Actually, it didn't exist as a major; I managed to get the Deans of Fine Art and Computer Science into the same room, pitched the idea, and they allowed me to essentially create my own plan and they gave me the budget for it. (Computer time was very expensive then.)
Technically it's a degree in computer science but issued by the art department. That's really backwards because almost all my time was spent in computer course work.
Software design packages? You're kidding, right? In 1970, this was all hard program coding, some Fortran and some assembler. Most work was batch processed. You'd write the program, punch it into cards, hand a shoebox-sized deck to the computer operator and hopefully in an hour you'd have a nice little printout or plotter drawing.
Later on I had access to an Imlac color CRT (about $175,000 each, as I recall) for video output. You'd display something, click a frame of super 8 film, and repeat to create a clip.
My wristwatch probably has a more powerful processor than the mainframe we used then.
There's several possible forks in the road as far as using the 'Net for business. Certainly it will replace catalogs for the most part and most customer interaction will be handled online. But quite a few things would have to change before the music store distribution system were replaced by a direct sales operation like Carvin's, which I'm not sold on yet. It does lend itself very nicely, however, to a custom guitar delivery system.
Later on I had access to an Imlac color CRT (about $175,000 each, as I recall) for video output. You'd display something, click a frame of super 8 film, and repeat to create a clip.
My wristwatch probably has a more powerful processor than the mainframe we used then.
There's several possible forks in the road as far as using the 'Net for business. Certainly it will replace catalogs for the most part and most customer interaction will be handled online. But quite a few things would have to change before the music store distribution system were replaced by a direct sales operation like Carvin's, which I'm not sold on yet. It does lend itself very nicely, however, to a custom guitar delivery system.
- melibreits
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