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Posted: Fri Jul 09, 2004 10:06 am
by iamthebassman
"The site claims it's a Nu-Sonic??!!"
There was a demo made of that song with George playing a Burns Nu-Sonic bass. This is not the version we are all familiar with. The sight is wrong and I lost interest in it once I saw this error.
Posted: Thu Aug 26, 2004 3:34 am
by roadrunners
Yea, The Casino is definitley the main rythym guitar on Here there and everywhere. There is no doubt in my mind. One possibility was that the guitar was double tracked (to give a more jangly sound) This seems logical considering everything else on the record is double tracked. The vocals are definetley not done by just paul. i have some revolver bootleg session tapes and there is a bit of them rehearsing and paul is showing them the chords. He show them to John abd George, so its possible that john and george played their casinos in unison while that little part in the middle was an overdub
Posted: Thu Aug 26, 2004 3:35 am
by roadrunners
Yea, The Casino is definitley the main rythym guitar on Here there and everywhere. There is no doubt in my mind. One possibility was that the guitar was double tracked (to give a more jangly sound) This seems logical considering everything else on the record is double tracked. The vocals are definetley not done by just paul. i have some revolver bootleg session tapes and there is a bit of them rehearsing and paul is showing them the chords. He shows them to John and George, so its possible that john and george played their casinos in unison while that little part in the middle was an overdub by most likley paul
Posted: Thu Aug 26, 2004 3:36 am
by roadrunners
srry it posted 2 times for some reason
Posted: Sun Sep 12, 2004 2:53 pm
by emswife
According to Andy Babiuk's book "Beatles Gear", John used his Casino for the "Revolver" sessions along with his Gibson J-160E. George played his blue Fender Strat, a Gibson J-160E and a new guitar, a Gibson SG standard which was cherry red.
Hope this helps... oh also, according to Babiuk, the background vocals are John and George that took place in several overdub sessions (also confirmed in Mark Lewisohn's "The Beatles: Recording Sessions." Macca's voice was overdubbed on the final session to provide a duet with himself with Lennon and Harrison supplying the "oohs" and "aahs".
According to Geoff Emerick, the Beatles pinoeered another new innovation in recording during the Rovolver sessions... the use of headphones when doing overdubs. No one had done it prior to this to anyone's knowledge. Now, no one would even think doing overdubs without headphones.
Those Beatles... they were something else...