Yes, things have been more hectic than usual the last couple of months, but I am getting into my workshop here and there as time permits.
Next weekend I'll be returning to Chicago to visit my Mom, who had a week of touch-and-go, then improved a bit. I'll know more after Wednesday the 20th when I return.
I've finished a lot of projects since the New Year, but haven't had a lot of time to photograph and post. The photos here were taken with my iPhone 5 in one of my 3 tiny shops, which someday soon I hope to combine into one decent-sized shop for the Madeleine debut stuff. So, please excuse the mess...a small shop is very hard to keep organized, contrary to accepted wisdom...
Here's Jesus' 700C-12 in Mary Kaye white (top) and Wineburst (back and sides), in process. It's in color and will soon have the binding scraped and then receive its first application of clearcoat varnish. As usual, the hardware will be gold, as will the TRC and pickguard. It's quite an elegant color combo with lots of sweet details (including checkerboard on the fretboard!). It'll receive a ToneRite treatment for 4 days while I'm gone in Chicago, before shipping.
After sealer, before color:
Here, in my booth after receiving its six coats of transparent warm white for the "Mary Kaye" look:
Masked after it was sprayed with the initial coats of deep Wineburst burgundy:
Finally, following shading of the burst and removal of tape masking. NOTE that the top and back binding still must be scraped, and the fretwork completed, before any of the dozen coats of clear varnish are sprayed.
Next, here's a VERY unusual (one might say, "unique") 650C of recent vintage...I'm providing it to its owner with a fresh MID paint job and matching guard, but the original chromed guard can also be fitted at his request. Up to you, Charles. Before I post photos of the finished 650, see if you can spot the unique feature.
That's right--it's a 12-string conversion!
Here's a shot of the headstock, made to early Rick pattern:
More shots of this beauty tomorrow or Wednesday.
Here's Bryce's '68 4001 following its buff job a couple of weeks ago:
In the booth last month:
New guard fitted with original electronics with new hardware and pickup covers.
BTW, this '68 was routed and fitted with a Badass bridge when Bryce sent it to me...
I'm wrapping up a '66 1999 for Bryce this month, as well...
You may remember the '46 SP archtop I picked up about a year ago...
It was incomplete, with a badly-repaired headstock break and a bad fretboard, but I did dig into it and replace the headstock with a new one and am in the process of redoing the fretboard, too...haven't had a lot of time to work on my own projects this past 12 months.
Here it is, next to a near-twin Harmony Holiday that I got started on about the same time...
Hoping to wrap these up sometime in the near future as time permits.
Lastly, there's the '67ish shortscale body that I now have two of, which will get built up sometime as well. These apparently were snuck out of the factory sometime in the last 30 years and turned up on Ebay a couple of years ago. Here's one of two:
You can see where somebody has epoxied the halves together, unsuccessfully. These will both make interesting projects. Tenor short-scale, anyone?
Oh, I've found a good powder-coater who I've begun using for projects. He only does batches, however (like my new plater). Here's a shot of some bass parts that I've had done in Matte Black:
I hope to post some photos of at least three of these projects completed before I return to Chicago on Friday!