Posted: Fri Aug 05, 2005 7:07 pm
Possible reasons those guys slung so high?
1. It was cold on stage that night.
2. Due to postwar restrictions, the Brits had to make do with straps that were, on average, 4" shorter than their American counterparts.
3. They were trying to even out the wear on their sleeves and the upper bouts of their instruments.
4. The air in their ribcages enhanced the resonance of the hollowbodies, roughly tripling the sympathetic reservoir and adding to the bottom end, not to mention the projection.
5. They were playing a Flood Victims Benefit.
6. Buckle rash compromises trade-in value.
7. They were experimenting with helium-filled instruments to yield more treble and a thinner lead sound. Beats hell out of using .0035 zither string sets.
8. They knew that when reaching around the bottoms of the guitars (particularly big hollow boxes and Rick 360s), their short arms forced them to pick very, very close to the bridge, thus enhancing the jangle factor.
Randy (on the other hand) was just paying tribute to Those Who Went Before.
1. It was cold on stage that night.
2. Due to postwar restrictions, the Brits had to make do with straps that were, on average, 4" shorter than their American counterparts.
3. They were trying to even out the wear on their sleeves and the upper bouts of their instruments.
4. The air in their ribcages enhanced the resonance of the hollowbodies, roughly tripling the sympathetic reservoir and adding to the bottom end, not to mention the projection.
5. They were playing a Flood Victims Benefit.
6. Buckle rash compromises trade-in value.
7. They were experimenting with helium-filled instruments to yield more treble and a thinner lead sound. Beats hell out of using .0035 zither string sets.
8. They knew that when reaching around the bottoms of the guitars (particularly big hollow boxes and Rick 360s), their short arms forced them to pick very, very close to the bridge, thus enhancing the jangle factor.
Randy (on the other hand) was just paying tribute to Those Who Went Before.