Who was better... George or Paul?
This is true... even Chet Atkins credited Ringo with having improved his country picking technique.
Unfortunately, Ringo was never a Rickenbacker man. George tried to get him to play Rics (as well as Gretsch) but Ringo always went back to his one true guitar love:

Unfortunately, Ringo was never a Rickenbacker man. George tried to get him to play Rics (as well as Gretsch) but Ringo always went back to his one true guitar love:

“The urge to save humanity is always a false front for the urge to rule it.” ....H. L. Mencken
Randy:
I think your assessment of "frenetic (Paul), soaring (George), and guttural (John)" is bang on. It is certainly my gut reaction to those solos and they characterize (IMO) the styles of the three different guitarists... and I love all three for different reasons.
I am strangely compelled by Paul's disjointed, stabbing and syncopated solos (like in Taxman). They are very unusual.
I am always stunned with John's bedrock solid timing and his gritty fundamental sense of rock 'n roll. (and I've recorded All My Loving... it took three weeks of practice EVERY DAY to get it to the point it was recordable and then I lost it)
Finally I always find myself enraptured with George's guitar playing regardless of the period; his unmatchable slide guitar, his precise Chet Atkins, Carl Perkins, Scotty Moore, leads and his absolutely sublime lead on "Something" which I think is one of the best guitar leads in rock 'n roll history. The definition of a good lead to me is what Dave Gilmour says... it has to be like a vocal melody which the listener will remember. Can you hear it in your head note for note? I can!
I think your assessment of "frenetic (Paul), soaring (George), and guttural (John)" is bang on. It is certainly my gut reaction to those solos and they characterize (IMO) the styles of the three different guitarists... and I love all three for different reasons.
I am strangely compelled by Paul's disjointed, stabbing and syncopated solos (like in Taxman). They are very unusual.
I am always stunned with John's bedrock solid timing and his gritty fundamental sense of rock 'n roll. (and I've recorded All My Loving... it took three weeks of practice EVERY DAY to get it to the point it was recordable and then I lost it)
Finally I always find myself enraptured with George's guitar playing regardless of the period; his unmatchable slide guitar, his precise Chet Atkins, Carl Perkins, Scotty Moore, leads and his absolutely sublime lead on "Something" which I think is one of the best guitar leads in rock 'n roll history. The definition of a good lead to me is what Dave Gilmour says... it has to be like a vocal melody which the listener will remember. Can you hear it in your head note for note? I can!
2006 Rickenbacker 360/12FG
2005 Rickenbacker 4003FG
1981 Rickenbacker 320JG
2004 Larrivee L05
2005 Yamaha FG720-12
2006 Epiphone Casino
2004 Fender American Deluxe Stratocaster
2003 LaPatie Etude Classical
1968 Yamaha FG150 Red Label
2005 Rickenbacker 4003FG
1981 Rickenbacker 320JG
2004 Larrivee L05
2005 Yamaha FG720-12
2006 Epiphone Casino
2004 Fender American Deluxe Stratocaster
2003 LaPatie Etude Classical
1968 Yamaha FG150 Red Label
>>Another example of the student bowing to 'The Master'.
how true.
When relaxing at home, Ringo would often play an acoustic guitar that was given to him by none other than Gene Autry. It was on this guitar that Ringo wrote many of his internationally famous tunes.

how true.
When relaxing at home, Ringo would often play an acoustic guitar that was given to him by none other than Gene Autry. It was on this guitar that Ringo wrote many of his internationally famous tunes.

“The urge to save humanity is always a false front for the urge to rule it.” ....H. L. Mencken
- studiotwosession
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westtexasrickenbacker
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