Favorite Bass Sound? (Crazy on You, Takin' it...)
Draft Morning from the Notorious Byrd Bros. album.
Growly Gibson Tbird on the Badlees River Songs Album.
Storyville's A Piece of Your Soul album.
Camel's Pressure Points live album
Wishbone Ash Live Dates album
Chas Chandler's tone on It's My Life and We've Gotta Get Out Of This Place
Growly Gibson Tbird on the Badlees River Songs Album.
Storyville's A Piece of Your Soul album.
Camel's Pressure Points live album
Wishbone Ash Live Dates album
Chas Chandler's tone on It's My Life and We've Gotta Get Out Of This Place
When you're going throught hell, just keep going. If you stop you'll be there forever.
"Flat Broke Love" ! Holy Moly, Joey; I haven't heard that song, let alone that title, since I was 12!
Man, I wore out my 8 track tape of "Four Wheel Drive" back in '75-'76 with that tune, "Lowland Fling", "Hey You" and "Four Wheel Drive" in steady rotation. Thanks for the memory jolt!
Man, I wore out my 8 track tape of "Four Wheel Drive" back in '75-'76 with that tune, "Lowland Fling", "Hey You" and "Four Wheel Drive" in steady rotation. Thanks for the memory jolt!
Wherever you go, there you are
- rickenbrother
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Wow, I just realized that I spaced one of my favorite post-Beatles McCartney bass lines! "Another Day" should be a required bass line for those into McCartney's playing. I remember having to buy the 45 single way back when so I could have a copy of song. Now it would almost have to be on some compilation.
Anyway, it is an example of very "Pepper-like" bass line and vintage McCartney.
I think he's play the 4001S on it due to the sound I hear on the open E string quarter notes at the end of the phrases, but I could be wrong.
Anyway, it is an example of very "Pepper-like" bass line and vintage McCartney.
I think he's play the 4001S on it due to the sound I hear on the open E string quarter notes at the end of the phrases, but I could be wrong.
"Practice does not make perfect. Only perfect practice makes perfect." Vince Lombardi
- qwezirider
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dr_wahnsinn
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Some familiar bass sounds here and many that I've never heard.
Nice to see Bruce Thomas mentioned twice. He remained mostly unknown because many people were turned off of Elvis Costello (often without even having heard any of the music), but he's a fine player. The energy of Elvis' records never captured how great they were live in the early days. Live recordings from the 78 and 79 tours are the best.
In addition to many already mentioned, I always liked to sound of the bass on California Dreamin' by The Mamas & The Papas as well as Our Love Will Still Be There by the Troggs.
Nice to see Bruce Thomas mentioned twice. He remained mostly unknown because many people were turned off of Elvis Costello (often without even having heard any of the music), but he's a fine player. The energy of Elvis' records never captured how great they were live in the early days. Live recordings from the 78 and 79 tours are the best.
In addition to many already mentioned, I always liked to sound of the bass on California Dreamin' by The Mamas & The Papas as well as Our Love Will Still Be There by the Troggs.
I'm pretty sure Joe Osborne played bass on most or all of the Mama's and Papa's stuff, he played on many many 60's hits with his prototype 1960 J bass, flatwounds and a pick.
Bruce Thomas was great, his sound never did that much for me, was a generic P bass sound, but he was a great player. I have a live thing from I think 1977, is really smoking, those guys rocked, Live from Mumbo Combo or something like that.
The bass player on Joe Jackson's Look Sharp! had a great sound, was an Ibanez (sp?) J bass copy with flatwounds and played with a pick.
Bruce Thomas was great, his sound never did that much for me, was a generic P bass sound, but he was a great player. I have a live thing from I think 1977, is really smoking, those guys rocked, Live from Mumbo Combo or something like that.
The bass player on Joe Jackson's Look Sharp! had a great sound, was an Ibanez (sp?) J bass copy with flatwounds and played with a pick.
Agree with you Bob re: the Bruce Thomas comments. I remember learning some of his lines from my LP's way back when. It is fun to watch some of the old "Get Happy" LP tunes on youtube.
Joe Osborne's sound is one I also like. He moved it around depending on the song. For "big" sounding tracks he tended to go bassy, but for stuff like Mama Cass' ballads he went more trebly with a great pick sound. Joe had a great knack as a session bass player. You'll also hear him on "5th Dimension" and older "America" LP's, among others.
Joe Osborne's sound is one I also like. He moved it around depending on the song. For "big" sounding tracks he tended to go bassy, but for stuff like Mama Cass' ballads he went more trebly with a great pick sound. Joe had a great knack as a session bass player. You'll also hear him on "5th Dimension" and older "America" LP's, among others.
"Practice does not make perfect. Only perfect practice makes perfect." Vince Lombardi
- freshmattyp
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