NOT EASY BEING GREEN...

Exceptional restoration is in the details

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jingle_jangle
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Post by jingle_jangle »

This is true. And they will look just like the ink sample that I would like you to send me, Elys!
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
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jingle_jangle
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Post by jingle_jangle »

Hey, Kenny:

"Like" is one thing.

"Opening one's wallet like", is another flavor entirely.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
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Post by janglerocker »

So Paul, that green didn't "absorb" into the wood? I would think you'd still have some green undertones (dang I miss the Undertones) in the grain of the wood even after stripping. Is the maple that dense that the paint doesn't sink in?

and btw, I agree on trying different colors. Nothing ventured, nothing gained.
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kenposurf
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Post by kenposurf »

or..nothing "grained"...
Reverb set to stun !!
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elysrand
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Post by elysrand »

There is at least one (or more) protective coat(s) of clear sealer between the wood and the pigment coat. And, since the pigment coat had been on such a short time, one might assume that the pigment coat was easier to remove than if it had been covered for months and years by a finish clearcoat.

For the green to have "soaked" into the wood, I would guess that Paul 's sealer coat(s) would have had to have been incomplete or have otherwise gone seriously awry.
Do unto others as you would have them do unto you, and sit in with the band whenever you can, to keep your chops up!
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jingle_jangle
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Post by jingle_jangle »

I've been training Elys to channel me, Dan. He's coming along very well, thank you...

Rick finishes are applied over a sealer, or, in the case of some solids like Ruby, over opaque primer.

I've got some other tricks that I use when painting these acoustics that I've developed to add depth and brilliance to the colors as well. These techniques are, in fact, not time-savers, because they complicate and extend the finishing process, time-wise (up to about a month in most cases), but the quality of the finished product is improved tremendously.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
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eric_b
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Post by eric_b »

Cheater ;^) If only we didn't have that pesky schedule...*Sigh* You make me envious Paul
"It's not the obscene thick gloss, but how it's applied"
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Post by janglerocker »

Ahhhh, sealer..... Of course. I think maybe a Homeresque D'oh!! is due me here.
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firstbassman
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Post by firstbassman »

Call me a traditionalist. Call me old fashioned even.
But IMHO acoustic guitars should only come in one color – natural wood grain – as nature intended.
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wayang
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Post by wayang »

If nature intended for guitars to exist at all, 'she' accomplished it via the opposable thumb...the same instrument that makes wielding an airbrush possible, which can't really be separated into a category of things 'unintended', TMWOT.

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I didn't get where I am today by being on time...
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beatlefreak
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Post by beatlefreak »

Mark, you're such an old-fashioned traditionalist.
Ka is a wheel.
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elysrand
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Post by elysrand »

OK, Dane: "YOU'RE A TAXI".

Image
Do unto others as you would have them do unto you, and sit in with the band whenever you can, to keep your chops up!
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