After playing my new 4004L for quite some time now (in the last two days of ownership...

)
I really can't understand why this instrument isn't enshrined in the "Passive Bass Hall of Fame" as , well, maybe "Greatest Ever".
There are some wonderful instruments out- Graphite necks, neo pickups, exotic woods-
There are some high-end luthiers with a wait-list of well over a year or more for one of their creations.
There are some instruments that cost about double the Laredo.
I absolutely cannot understand how a Bass this fine is not ...well never mind, I'm part of the answer to that, as I was almost not even aware of it, and I'm a gear-head.
I associated Ric of course with th 4003- McCartney, Chris Squire, et al. Not particularly what I feel- I'll skip the stuff about what I look for in a bass- but I will say-
I play a lot of R&B based pocket feel, Jamerson, Chuck Rainey, -covers like Etta James, Al Green, Aretha- and if you want to- Listen to Tyrone Davis' rhythm section- I only heard "TD" when I toured Down South- Louisiana, South Carolina, Georgia, Alabam, Mississippi- The music that comes from there is SO in-the-pocket I found myself almost in tears once in Alabama, listening to some singer I never heard of on AM radio---
To the Ric, Laredo in particular-
This bass rules for this vibe and style. Ladies and Gents, I will get overcome with emotion if I tell you what it sounds like through my Ampeg rig....
Wait- I need a moment-
Ok, better!
It NAILS the tone(s) I seek and want for laying down a groove that is so smooth, so precise, so focused, and so perfect for the bottom end of the rhythm section-
I assume Rickenbacker employs physicists in theri lab who o sonic studies of the perfect tonalities required for Groove playing and then inserts them into the Humbuckers, toggle, and knobs on the Laredo.
Gotta be.
Or else, maybe the bridge?
I LOVE this bass- Forum is way cool to- lotsa nice links and stuff. Glad I found BOTH.
Thank You.