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Posted: Sat Jun 24, 2006 11:51 am
by leesh
Alright...I got a little bored and just tooled around for a little bit. Drums are looped but I played everything else. It's short
You need some ActiveX control to make it work I think

Happy Weekend guys!
http://web.mac.com/atremaine/iWeb/ZooeyTown/Blog/5C542C5D-5647-4C6D-A356-BE7536B2E504.html
Posted: Sun Jun 25, 2006 2:26 pm
by ozover50
This one nearly went through to the keeper....
Nice work, Alisha... I like it!

Posted: Sun Jun 25, 2006 3:04 pm
by studiotwosession
Posted: Sun Jun 25, 2006 7:48 pm
by leesh
Thanks guys...very rough of course but a great way to spend a couple hours

Posted: Tue Aug 29, 2006 6:52 pm
by madscotsman
To hear my stuff:
http://theprojection.homeunix.org/refractor.htm
The first track there is slap bass done with my 4001CS.
..AND if you're really bored...
More & more and too much more stuff at:
www.myspace.com/landmusic
www.myspace.com/gyve
www.fourfriedchickens.com
Posted: Fri Sep 01, 2006 10:19 am
by steverok
I could not get Alicia's to play. I dig The Disappointments ! Reminds me a bit of Fountains of Wayne.
My new CD is now done, along with my previous EP here :
http://s87948338.onlinehome.us/steve.htm
Posted: Fri Sep 01, 2006 10:23 am
by steverok
Glen Wall - you are my hero.
I love the Replacements Let It Be era.
Tall, Dark, and Hasbeen.
That's good stuff.
Posted: Sun Sep 03, 2006 11:23 am
by shapeshifter
Posted: Tue Sep 05, 2006 12:34 pm
by jon
Here's a couple of rehearsal things for you:
My now defunct band Atacama, with something called
Behind the Silence. This is an edited down version of a 14 minute song. Features Phil on keys & Paul on drums. We'd just fired the guitarist. Phil wrote this. Oh, the bass is a 4001CS which is driving the pre-amp more than normal as my wireless battery had gone flat and I was going in by cable (which had a higher output).
Here's
one from my other band recorded at a Feb 2005 rehearsal that I'll probably regret posting, as being a Rush song, I'm leaving myself open for a fair bit of criticism. Guitarist Ian fluffed the solo and drummer Andy was still working it out and played a few weird things. Mind you, so did I

. Despite all this, for some reason, I do like this recording. The bass is a 4003.
Posted: Tue Sep 05, 2006 4:27 pm
by beatlefreak
Hi Billy - Welcome to the forum. Nice stuff on our Myspace page.
Posted: Tue Sep 05, 2006 7:20 pm
by walker
Hey Billy & Jon - Good stuff! Nice production on the guitars all around.
Billy - nice tight crafty pop. Great vocal melodies, too. What year is your guitar?
Jon - the bass is THUNDEROUS, very prominent in the mix, as all bass should be, of course. What kind of amp/gear were you using for the recordings? Also, I liked the synth voices at the end of 'Behind The Silence.' It put me in the mind of the lush voicings on 'I'm Not In love.'
Nice stuff, guys. Here's a glimpse of my latest posts:
http://www.myspace.com/markwalker

Posted: Wed Sep 06, 2006 1:32 am
by sowhat
Cool stuff, "Walker"!
Posted: Wed Sep 06, 2006 1:44 am
by studiotwosession
Wow. Thanks, Steve. Gotta love the Mats.
The Tonighters are happening.
Posted: Wed Sep 06, 2006 3:29 am
by jon
Thanks for the comments Mark. I’ll have a listen to yours when I get home…
A friend once said to me, “you can tell who did the mixing”, so although I try not to, I guess I do favour the bass a bit. I chose these recordings because the Rickenbackers were relatively to the fore.
I never thought about those voice sounds in BTS before, but I hear what you mean. One of Phil’s keyboards was a Korg Triton and I’m pretty sure they came from that, but they were not factory patches.
The bass on BTS was running through my little 300W Ashdown ABM C-115 combo. As I mentioned, this sounds grittier than normal because I usually roll off the gain a little on my wireless. This was recorded in a converted oast house and everything spilled onto the drum tracks, because I let someone else put the microphones on the drums. This made things a bit tricky for mixing.
The bass on Red Barchetta was running through whatever was in the rehearsal room – I’m pretty sure it was a Laney RBH 800. In both cases, for recording I was taking a line out of the amp rather than putting microphones on the cabs.
Posted: Wed Sep 06, 2006 5:48 am
by walker
Interesting, Jon. The grit from the Ashdown sounds great. I've always liked a little distortion, myself.
Shout out to Steve - I tried listening to your samples, but my computer can't figure out certain types of Quicktime files. I haven't figured out that glitch yet. Any stuff posted in a different format?
