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Posted: Thu Oct 12, 2006 6:05 pm
by jps
I'd have to find my notes, but just guessing from experience given the known lighting conditions, probably in the 5-10 second range, with an aperture of f32 using my 90/8 Schneider Super Angulon, on T-Max 100 (TMX) film.

Posted: Thu Oct 12, 2006 9:03 pm
by jnbass
uhuhuhuhuhuhhhuhhuhhh, he said
Image

Posted: Fri Oct 13, 2006 3:56 am
by rickaddict
That's a beautiful photo, Jeff. Where was that one taken?

Posted: Fri Oct 13, 2006 8:06 am
by atomic_punk
And then the thread went totally off course...

Posted: Fri Oct 13, 2006 8:11 am
by cheyenne
And fell into complete oblivion...

Posted: Fri Oct 13, 2006 8:14 am
by simer4001
And what makes that different than any other thread?

Posted: Fri Oct 13, 2006 8:26 am
by aceonbass
Meanwhile back at the guitar shop.....On the subject of making it distinguishable from an original, put a dot at the 21st fret like I did on my 4008CS. There should be one there anyway and it's something RIC's never done on their basses. Okay, time for more pictures....

Posted: Fri Oct 13, 2006 8:56 am
by rickaddict
The thread will be back on course soon.


Ted's got plenty more work to do on this and plenty more pics to post.

Image

Posted: Fri Oct 13, 2006 9:24 am
by alanz
Amazing stuff, Ted.

Posted: Fri Oct 13, 2006 10:10 am
by bob_atherton
Nice field camera Jeff. The last time I used my 5" x 4" was about a year ago. All my clients want wretched digital now. I used to love the sheet film with Velvia 50 ASA, crazy over the top saturation, but such fine grain and punch.

Nice shot. I love the effect of water with time exposures. I did some shots once with a ND filter over the lens, stopped down to about f90, and did a shot of water flowing past some rocks. The exposure took about one minute and the effect was like mist swirling around the rocks, not really wet at all. Aaahhh, happy days...

Posted: Fri Oct 13, 2006 10:11 am
by rickfan60
Thanks guys. The extra dot is a good idea Dane.

Posted: Fri Oct 13, 2006 10:42 am
by jwr2
another way to make it not look like a real 4002 ... don't put the xlr output in and use a single ply material for the pickguard ...

Posted: Fri Oct 13, 2006 11:11 am
by morrow
My old Sinar used to be my main studio machine.


I miss those days too.

Posted: Fri Oct 13, 2006 11:41 am
by aceonbass
I second Jeff's idea. I always thought the 5 ply ABS picguard was so Fenderish. I always assumed the 3000's came with ABS guard because they were bottom of the line. I'd go with an acrylic guard.

Posted: Fri Oct 13, 2006 12:03 pm
by rickfan60
The 5 layer laminate looks so good with the checkerboard binding and black neck and head binding. It also ties in nicely with the dark ebony and pearly white dots. I will leave out the fancy jack.