Re: Zero fret
Posted: Tue Feb 17, 2009 6:24 am
The only downside to a zero fret might be wear due to string bending with roundwound strings that might lower action over time and cause fret buzz on the next fret.
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I like to use the different sound of open strings as opposed to fretted notes. Guitar players utilize that, slap bass is another example of the power of open strings. But I have never played a C64S or A/B'ed one with a non-S C64, so I don't know if I could hear the difference.admin wrote:I have always thought that the zero fret was an interesting idea as it essentially makes every note a fretted one. Is there a downside to the zero fret?
I concur with Dane that you may end up wearing the zero fret down prematurely, as much by the fact that it is always being fretted as by the bending. Excessive wear would not only impact on action but would also have an effect on intonation. However, my two Mosrites show reasonable wear at the zero, but both remain playable and neither has a problem with intonation (one is a '65, the other a '73, so the wear is long-term). Of course, the answer would be to replace the fret if the wear became unbearable.admin wrote:I have always thought that the zero fret was an interesting idea as it essentially makes every note a fretted one. Is there a downside to the zero fret?
How much distance is there on your Mosrites between the nut and the zero fret? That has to factor into the wear equation. With the strings I use, the way I play, and the short distance between the nut and the zero fret, there's just not much possibility of movement on mine: http://rickresource.com/register/user_i ... llsize.jpgantipodean wrote: I concur with Dane that you may end up wearing the zero fret down prematurely, as much by the fact that it is always being fretted as by the bending. Excessive wear would not only impact on action but would also have an effect on intonation. However, my two Mosrites show reasonable wear at the zero, but both remain playable and neither has a problem with intonation (one is a '65, the other a '73, so the wear is long-term). Of course, the answer would be to replace the fret if the wear became unbearable.
The C64S is supposed to be Paul's bass as it exists today, and from what I understand the bass is currently fitted with a RI horseshoe (see pic below). I would prefer the bass as it existed in the 70's with a 70's hi-gain, (and Paul's back probably would as well) but it is what it is.aceonbass wrote:In the interest of accuracy, I don't get why the C64S has a horseshoe in it. Paul's had lost it's magnetism, couldn't be recharged, and was replaced by the current bridge high gain from whatever year RIC fixed his bass. Not putting horseshoes in this bass sure woulda' freed up a few for the boutique.
It is my understanding that the S does stand for "Sanded" in this case. And that seems to refer more to the body shape than the finish as the few Jetglo C64S's that I've seen were definitely glossy.libratune wrote: So can we conclude from this that the "S" designation on the 4001C64 model stands for "satin" + zero fret + all the features that Evan mentioned?
I can when I get home, but I'm pretty sure the fret board is a bit longer.aceonbass wrote:I'd be curious to know if , on the C64S, RIC made the fingerboard a bit longer at the top, or moved the tailpiece back a bit to accommodate the extra length required for the zero fret. Anyone with a C64S and a V63 wanna to a fretboard to fretboard comparison?
I have seen a close-up picture of PM's zero nut though I can't seem to remember where. It is exactly as Ted describes.rickfan60 wrote:I read that the zero fret on PM's bass was attached to a small piece of wood that extended the fingerboard slightly. The mod on his bass is supposedly totally reversible just by removing the extension/fret combo and placing the nut back in it's original place. A zero fret should be located exactly where the nut would normally be so the nut must be shifted up or the intonation will be off.
Hi Jeff,rickaddict wrote: How much distance is there on your Mosrites between the nut and the zero fret? That has to factor into the wear equation. With the strings I use, the way I play, and the short distance between the nut and the zero fret, there's just not much possibility of movement on mine: http://rickresource.com/register/user_i ... llsize.jpg
I could be wrong...Ask me again in 30 years...... but I don't think my strings have much of a chance to wear my zero fret.