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Posted: Wed Mar 02, 2005 2:48 pm
by henny
I used to use Line6 stuff, then of course the amazing GT6B...

... Now I use nothing but the Zoom 708II... a small, cheap unit... but my goodness it does everything.

Image

Posted: Thu Mar 03, 2005 3:01 am
by bassman_bob
While we're on the sound question, does anyone know what amp(s) CS used in the 70's heydays ? I have an old book of Yes sheetmusic with a narrative in it saying he used a Sunn Coliseum lead head. Is that logical when there was a Sunn Coliseum bass head out there ?

Posted: Thu Mar 03, 2005 4:45 am
by jps
In the '70s he did use Sunn Coliseum Lead amps, and Marshall amps, too.

Posted: Thu Mar 03, 2005 6:05 am
by jwr2
Chris Squire got the Chris Squire sound with a lot of different equipment ...

Posted: Thu Mar 03, 2005 11:51 am
by rictified
Yes, but the old SS Sunn lead heads lend themselves to that sound when they are pushed.

Posted: Thu Mar 03, 2005 7:57 pm
by dean712
This is a great thread.

To build on Bob's and Brian's most recent posts here - your live tone choices definitely depend on the mix you find yourself in. I am currently in essentially a 3-piece, so it is not as hard to be heard in the mix. In '99, I played in a cover band in Oklahoma City that had two loud guitarists and did a lot of heavy stuff - Nine Inch Nails, Metallica, etc., and it was tougher to fit in the mix.

I guess the main point is that whatever you sound like at rehearsal, you can just about guarantee that it will be different in a club full of sweaty bodies, at twice the volume....

Posted: Thu Mar 03, 2005 10:34 pm
by gregson1
I've used the Zoom BFX708 and its a nice durable unit. Our drummer slid his throne back and ended up with one leg right smack on the display panel. We played through a couple of songs before he realized what had happened. All it did was put a dent in the plastic lense.

Posted: Fri Mar 04, 2005 12:23 pm
by rictified
Yes Dean, every night, every club is a whole new ball game, most of the time the tones just need to be tweaked a bit, but you never know. One of the many reasons I usually use a whole SVT rig at all my gigs is that it's sound is very consistant from room to room compared to many smaller amps.

Posted: Sat Mar 05, 2005 8:24 am
by jwr2
My band rehearses at the same volume we gig ... we use small amps and keep the stage volume down ... but we run into a big pa and turn that up as needed ...

back to the Geddy sound ... here's a good test ... can you get a good Geddy sound with just the bass and no amp? yep that's where it all starts ... get a good sound with just your bass then get a decent amp to reproduce that sound sound from your bass and you are most of the way there to the Geddy sound ...

Posted: Sat Mar 05, 2005 8:32 am
by rictified
I can get the Geddy sound with a tuba and a sansamp.

Posted: Sat Mar 05, 2005 10:57 am
by jps
That's funny as I can get the Geddy sound with a kazoo and an octave divider!

Posted: Sat Mar 05, 2005 11:19 am
by jwr2
but can you belch the entire alphabet?

Posted: Sat Mar 05, 2005 11:43 am
by mortivan
Hmm. I've got an Octaver. Where's my kazoo...?

Posted: Sat Mar 05, 2005 11:55 am
by simer4001
Maybe I can't Jeff, but my kids dig it when I try! Image

Posted: Sun Mar 06, 2005 1:15 pm
by jmh
Great thread guys, enjoying all of it. Other great players who get that Ric sound are Meros and Camp (from Spocks Beard and Renaissance). I wonder if the sound is totally their own, or they tried to imitate someone else.