Posted: Sun Dec 11, 2005 11:58 am
HeHe, no dryers, washers, fridges or cookers in my set up.
At the moment I just use the 4003 & the Jazz (x2). I'm on the lookout for a Wal. I haven't played a Wal since 1987, although I wish I'd bought one then (a friend had two made at what now looks like a very reasonable price). Never really thought about getting a Steinberger - the Jazz is used with some tweaking. I suppose I will pick one up eventually as we do quite a few from that period, but other things are higher up the list.
Everything runs through a Behringer Bass V-Amp Pro which has patches tailor-made for each song. These are actually controlled by the keyboard, to minimise the number of pedals I have to push. I know Behringer wouldn't be the choice of everybody, but I've been able to get some great sounds out of it, including some pretty close to Geddy's tones. Not only does it let me almost get away with only having the two types of bass, but it takes a lot of the guesswork out of using different amps (I don't take my amps to rehearsals, I just use what's there).
My own amps are Ashdown ABMs (1 x15, 4 x 10 + tweeter), although if the PA is up to it a direct feed from the Behringer can be used too.
Nothing feels quite like my 4003, but I enjoy playing the GL Jazz too and it's perfect for some of the newer Rush stuff.
At the moment I just use the 4003 & the Jazz (x2). I'm on the lookout for a Wal. I haven't played a Wal since 1987, although I wish I'd bought one then (a friend had two made at what now looks like a very reasonable price). Never really thought about getting a Steinberger - the Jazz is used with some tweaking. I suppose I will pick one up eventually as we do quite a few from that period, but other things are higher up the list.
Everything runs through a Behringer Bass V-Amp Pro which has patches tailor-made for each song. These are actually controlled by the keyboard, to minimise the number of pedals I have to push. I know Behringer wouldn't be the choice of everybody, but I've been able to get some great sounds out of it, including some pretty close to Geddy's tones. Not only does it let me almost get away with only having the two types of bass, but it takes a lot of the guesswork out of using different amps (I don't take my amps to rehearsals, I just use what's there).
My own amps are Ashdown ABMs (1 x15, 4 x 10 + tweeter), although if the PA is up to it a direct feed from the Behringer can be used too.
Nothing feels quite like my 4003, but I enjoy playing the GL Jazz too and it's perfect for some of the newer Rush stuff.
