I don't know about the 4005 but the 4002 seems to me like it was ahead of its time. Today, players like Justin Chancellor employ Wal basses with similar features (like XLR out and weird impedance pickups). Also, Audere is now messing impedance in a unique way (that would enhance the 4002 design for sure).antipodean wrote:Now, let me get this straight:
- The 4002 was a cutting edge bass that didn't sell and so was discontinued;
- The 4005 was a bass that sold in small numbers and was discontinued;
- We all (yep, me too) want to see them reissued.
There's something in that chain that doesn't make sense, but I can't put my finger on it.......
The 4005 seems really neat to me for tonal reasons but I gravitate much, much more to the 4002 as an "uber" model bass. I mean, it just seems like a Holy Grail to me, most especially after having played iiipopes' on several occasions and found it the comfiest and sexiest-sounding funk machine around! Seriously... who knew ebony could pump out the LOW END like that? Mm.
I have my doubts that RIC would ever reissue the 4002, but I think if they did it and they did it right they would garner even more respect, esp. from the "doubters". Backlogged as they are right now, however, I don't think they are too concerned about garnering much more of anything, esp. sales. In any case I appreciate the fact that Ben Hall is willing to divulge ANY info to us, even just that there IS SOMETHING in the works. It's fun to dream--and for me, the dream is of a 4002.
