Alan Z's 1985 4003
Posted: Sun Oct 23, 2005 9:20 pm
So this guy Alan Zeleznikar (personable Rick-Forum-raconteur-type-guy, you know him...) contacts me and asks if I'm interested in refinning his 4003. It's a project bass, some extra holes, parts missing, you know the drill. He gets the missing parts together, contacts me and shoots the whole shebang over to me in a couple of boxes.
I open it up and find a red with black trim bass in pretty good shape, although it's plainly been experimented with in a past life. Needs a refret, too.
We agree to try something different in finishes, I give him a price quote, and he gives me the go-ahead. Knowing I have at least three more refins to complete before Christmas, I dive right in with my fret removing pliers, my masking tape and paint stripper.
So here are some shots taken last Thursday and Friday. The bass left its case at noon Thursday and by late Friday afternoon, it was as naked as a jaybird and as smooth as a baby's bottom, sanded to #320 and ready for sealer.
You'll see the unique color he and I dreamed up as it develops.
First photo shows the bass with its first carefully-applied coat of stripper. The arrows note that the stripper was brushed within about 5mm of the binding, so as not to dissolve the ABS strip that's used to bind the black-trimmed body. Note also (green arrow) the stack of newly-pulled frets. Nothing like shiny new frets to make a guitar look great and sing like new!
http://img.photobucket.com/albums/v693/jingle_jangle/1985%204003/DSC00414.jpg
Next shot shows the defretted neck with its beautiful routed inlays, as the varnish (which was quite yellowed!) is begun to be sanded off. This also must be done with a deft touch so as not to modify the neck's radius in any way.
http://img.photobucket.com/albums/v693/jingle_jangle/1985%204003/DSC00415.jpg
This picture is a closeup of the nut area, showing the card stock shim on the "G" side.
http://img.photobucket.com/albums/v693/jingle_jangle/1985%204003/DSC00418.jpg
Here's a shot of the back, showing and area which was worn through to the bare maple. Note the stripper doing its job.
http://img.photobucket.com/albums/v693/jingle_jangle/1985%204003/DSC00419.jpg
Next, another shot of the neck in its entirety, showing the newly-sanded fretboard and the first go-round of the front of the body. Then a closeup of the body as I began stripping the cavities. The control cavity was already copper-foil lined, so I left it alone.
http://img.photobucket.com/albums/v693/jingle_jangle/1985%204003/DSC00420.jpg
http://img.photobucket.com/albums/v693/jingle_jangle/1985%204003/DSC00422.jpg
Arrows in the next photo show that area on the back where the paint had been worn away. Note the amount of dirt absorbed by the unprotected maple. This has to be sanded away, and in more extreme cases, it must be bleached.
More...
I open it up and find a red with black trim bass in pretty good shape, although it's plainly been experimented with in a past life. Needs a refret, too.
We agree to try something different in finishes, I give him a price quote, and he gives me the go-ahead. Knowing I have at least three more refins to complete before Christmas, I dive right in with my fret removing pliers, my masking tape and paint stripper.
So here are some shots taken last Thursday and Friday. The bass left its case at noon Thursday and by late Friday afternoon, it was as naked as a jaybird and as smooth as a baby's bottom, sanded to #320 and ready for sealer.
You'll see the unique color he and I dreamed up as it develops.
First photo shows the bass with its first carefully-applied coat of stripper. The arrows note that the stripper was brushed within about 5mm of the binding, so as not to dissolve the ABS strip that's used to bind the black-trimmed body. Note also (green arrow) the stack of newly-pulled frets. Nothing like shiny new frets to make a guitar look great and sing like new!
http://img.photobucket.com/albums/v693/jingle_jangle/1985%204003/DSC00414.jpg
Next shot shows the defretted neck with its beautiful routed inlays, as the varnish (which was quite yellowed!) is begun to be sanded off. This also must be done with a deft touch so as not to modify the neck's radius in any way.
http://img.photobucket.com/albums/v693/jingle_jangle/1985%204003/DSC00415.jpg
This picture is a closeup of the nut area, showing the card stock shim on the "G" side.
http://img.photobucket.com/albums/v693/jingle_jangle/1985%204003/DSC00418.jpg
Here's a shot of the back, showing and area which was worn through to the bare maple. Note the stripper doing its job.
http://img.photobucket.com/albums/v693/jingle_jangle/1985%204003/DSC00419.jpg
Next, another shot of the neck in its entirety, showing the newly-sanded fretboard and the first go-round of the front of the body. Then a closeup of the body as I began stripping the cavities. The control cavity was already copper-foil lined, so I left it alone.
http://img.photobucket.com/albums/v693/jingle_jangle/1985%204003/DSC00420.jpg
http://img.photobucket.com/albums/v693/jingle_jangle/1985%204003/DSC00422.jpg
Arrows in the next photo show that area on the back where the paint had been worn away. Note the amount of dirt absorbed by the unprotected maple. This has to be sanded away, and in more extreme cases, it must be bleached.
More...
