Like a Phoenix, My 330 12 Has Risen From the Ashes
Posted: Sun Apr 30, 2006 7:18 pm
After 30+/- years of wanting a Rickenbacker 12 string, I finally bought a lefty 330 12 a month or so ago. I have to be honest....I wasn't loving it. It was surprisingly difficult to play (I have played exclusively acoustic guitar for the past three years, including a Gibson J-185 12 string, so the narrow fingerboard was interesting). But more importantly, the intonation was pathetic. I have posted about this previously on this forum. I tried every trick in the book, but the guitar was borderline unplayable.
Well, as a result of my whining, I was put in contact with Mark Arnquist in Seattle. We exchanged emails over a 3-4 week period, but I wasn't sure I wanted to ship my guitar up to him, and I was concerned about the cost.
But when I contacted Rickenbacker's service department and described the problems in great detail, the response was almost embarrassing..."sometimes on new guitars you just need to let the strings set for a couple of days." That (and some emailed testimonies from numerous clients of Mark) was all I needed to push me over the edge. My new 330 12 took off for Seattle.
Just under two weeks later, the guitar returned, totally re-worked. I won't set out in detail all the work Mark did (if anyone has specific questions I'd be happy to respond to P.M.'s), but it was fairly extensive, and most reasonable. The guitar is 100% improved in playability, feel, aesthetics, and INTONATION.
I cannot put it down, it wants to be played. The guitar is gorgeous, feels wonderful, sounds fantastic and plays in tune.
Mark Arnquist, you're the man. I thank you for making a borderline guitar fantastic.
Well, as a result of my whining, I was put in contact with Mark Arnquist in Seattle. We exchanged emails over a 3-4 week period, but I wasn't sure I wanted to ship my guitar up to him, and I was concerned about the cost.
But when I contacted Rickenbacker's service department and described the problems in great detail, the response was almost embarrassing..."sometimes on new guitars you just need to let the strings set for a couple of days." That (and some emailed testimonies from numerous clients of Mark) was all I needed to push me over the edge. My new 330 12 took off for Seattle.
Just under two weeks later, the guitar returned, totally re-worked. I won't set out in detail all the work Mark did (if anyone has specific questions I'd be happy to respond to P.M.'s), but it was fairly extensive, and most reasonable. The guitar is 100% improved in playability, feel, aesthetics, and INTONATION.
I cannot put it down, it wants to be played. The guitar is gorgeous, feels wonderful, sounds fantastic and plays in tune.
Mark Arnquist, you're the man. I thank you for making a borderline guitar fantastic.
