360s gotta be about the 360
Posted: Sat May 27, 2006 7:26 pm
I thought I'd take the opportunity to use my 360th post on this lovely forum to talk a bit about my new 360 - my first Rickenbacker (and incidentally, my first electric guitar) ever. Honestly, I wasn't sure how I was going to use this guitar. I grew up on heavy doses of Bob Dylan, the Beatles, CSN (and sometimes Y), and Joni Mitchell with a healthy dose of prog rock - King Crimson, Yes, ELP, etc. Through this time, I played acoustic guitars almost exclusively. Hitting my early 20s (in the 1980s), I dived into Irish folk music and fusion bands in that genre - The Dubliners, the Clancy Brothers, Christy Moore, Planxty, Pogues, Spirit of the West, Bothy Band, Silly Wizard. I also started listening to and playing a lot of American and Canadian folk/country/folk rock - Woody Guthrie, Stan Rogers, Bruce Cockburn, Jimmie Rodgers, Johnny Cash. It was at that time that I picked up the bouzouki, the mandolin, and the bodhran.
When I ordered my 360, I wasn't sure how it was going to fit in with what I write and play. Frankly, I'm still not sure but I do know that its versatility will make it a standard in my musical repertoire. I cannot believe how different this guitar can sound from song to song and in every situation, it just shines. It has a great plucky, almost twangy tone if I want it to and then has a lovely dirty, tight crunch. I have a hard time getting a bad tone out of the thing! When I'm playing with other people (mind you, I don't play with drums and basses), the guitar sings through the mix, in a nice benevolent way-no crassness or obnoxious side to it. Whether I'm finger-picking in an open tuning or picking hard on a lead, it is consistently there, responding the way I want it to. The sound is absolutely magnificent and - being a newbie to Rickenbackers - almost distracting to me (i.e., I want to stop playing so that I can listen to it but of course, if I do ... well, you know).
And, it plays like a dream. Having played acoustic instruments for two decades, I am amazed at how fast, sleek, ad effortless the neck is. I'm accustomed to playing very fast jigs and reels on the bouzouki and mandolin but when playing the Rick, my fingers get ahead of my brain. They seem to slide up and down the neck on their own and the playing is effortless. I have been having muscular problems in my forearms for the last couple of years (they ache after I play a good session and generally cause me discomfort) but when I play this guitar, it's a cakewalk- it seems my forearms are on holidays!
I know I'm singing to the choir here but honestly, I am so very pleased with this instrument. I am looking forward to getting to know it better and to many years of happy playing. My only reservation is that I fear the gates might be opened- ye olde GAS/RAS.
I want to thank everybody on this forum for their patient support, their knowledgeable insight, and their passion for these superb instruments. You have helped me a great deal in navigating my way through this new world and have helped introduce me to a whole new dynamic in musical play.
When I ordered my 360, I wasn't sure how it was going to fit in with what I write and play. Frankly, I'm still not sure but I do know that its versatility will make it a standard in my musical repertoire. I cannot believe how different this guitar can sound from song to song and in every situation, it just shines. It has a great plucky, almost twangy tone if I want it to and then has a lovely dirty, tight crunch. I have a hard time getting a bad tone out of the thing! When I'm playing with other people (mind you, I don't play with drums and basses), the guitar sings through the mix, in a nice benevolent way-no crassness or obnoxious side to it. Whether I'm finger-picking in an open tuning or picking hard on a lead, it is consistently there, responding the way I want it to. The sound is absolutely magnificent and - being a newbie to Rickenbackers - almost distracting to me (i.e., I want to stop playing so that I can listen to it but of course, if I do ... well, you know).
And, it plays like a dream. Having played acoustic instruments for two decades, I am amazed at how fast, sleek, ad effortless the neck is. I'm accustomed to playing very fast jigs and reels on the bouzouki and mandolin but when playing the Rick, my fingers get ahead of my brain. They seem to slide up and down the neck on their own and the playing is effortless. I have been having muscular problems in my forearms for the last couple of years (they ache after I play a good session and generally cause me discomfort) but when I play this guitar, it's a cakewalk- it seems my forearms are on holidays!
I know I'm singing to the choir here but honestly, I am so very pleased with this instrument. I am looking forward to getting to know it better and to many years of happy playing. My only reservation is that I fear the gates might be opened- ye olde GAS/RAS.
I want to thank everybody on this forum for their patient support, their knowledgeable insight, and their passion for these superb instruments. You have helped me a great deal in navigating my way through this new world and have helped introduce me to a whole new dynamic in musical play.