Open Sesame
Open Sesame
Let's talk about bass notes. Ten years ago a friend was taking beginner bass lessons. He said his instructor told him to avoid playing open strings. For example, if you want to play a D, play the A string on the fifth fret rather than just open D.
Any thoughts on this?
Any thoughts on this?
- sloop_john_b
- Rick-a-holic
- Posts: 13837
- Joined: Tue Jan 25, 2005 6:00 am
I occasionally use open strings strictly for the effect of unfettered, albeit clean sustain. For the most part I do avoid using open strings though, because I believe that you have more control over the resonance of a fretted string.
“We can't solve problems by using the same kind of thinking we used when we created them.” - Albert Einstein
"You do not really understand something unless you can explain it to your grandmother" - Albert Einstein
"You do not really understand something unless you can explain it to your grandmother" - Albert Einstein
I like to use open strings a lot to get that nice pedal effect while adding another note (or notes) on higher strings.
It really depends on what sort of sound & effect you're after at the time.
Higher up on the neck on heavier strings= warmer tone.
The same note/chord played in different positions will always have different tone, that's one of the most basic characteristics to be aware of for playing any instrument.
It's like the pick/fingers debate: do whatever feels right to you at the time.
It really depends on what sort of sound & effect you're after at the time.
Higher up on the neck on heavier strings= warmer tone.
The same note/chord played in different positions will always have different tone, that's one of the most basic characteristics to be aware of for playing any instrument.
It's like the pick/fingers debate: do whatever feels right to you at the time.
Plus five minus five!
- hieronymous
- Intermediate Member
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It sounds like an interesting exercise to not use open strings, but it doesn't strike me as a very musical rule. Like many others have said already in this thread, it depends on a lot of factors.
Oh, and I thought of another thing - ideally, one should be able to control the open strings as well as you can the fretted equivalents, because if you can't, then you're kind of screwed if you need to play that low E...
Oh, and I thought of another thing - ideally, one should be able to control the open strings as well as you can the fretted equivalents, because if you can't, then you're kind of screwed if you need to play that low E...
Or even use a capo to make use of open strings in different keys.
If Sir Paul used a capo on bass, it's certainly a valid tool (never done it myself). It really doesn't make much sense otherwise.
Control & dynamics are the hallmark of the seasoned player, and something we all can aspire to improving in our own playing.
If Sir Paul used a capo on bass, it's certainly a valid tool (never done it myself). It really doesn't make much sense otherwise.
Control & dynamics are the hallmark of the seasoned player, and something we all can aspire to improving in our own playing.
Plus five minus five!
I too agree you should be able to control an open string. Really no difference over the fretted notes, just timing.
I find I use the open for the tone and sustain I want also, dependant on the song. I also will use the next string up sometimes because the note sounds better - like Bb on the A 1st fret instead of on the E 6th fret.
I find I use the open for the tone and sustain I want also, dependant on the song. I also will use the next string up sometimes because the note sounds better - like Bb on the A 1st fret instead of on the E 6th fret.