Chord Progressions

Putting music theory into practice
35012
Member
Posts: 208
Joined: Sat Feb 04, 2006 4:55 am

Chord Progressions

Post by 35012 »

Just an interesting Idea i had:
I think that we should just make a list of useful, basic or generally obscure chord progressions just for reference. Here are some that I made/probably stole from somewhere:
16 Bar Rag
|:I|VI7|II7 V7|I|
|I|VI7|II7| V7|
|I|I7|IV|II 1/2dim|
|I|VI7|II7 V7|I:|

This one is not quite finished)
|:IIm|I|VIm7 I|IIm:|

Now, of course, here is a basic 12 bar blues progression:
|:I|IV|I|I|IV|IV|I|I|V|IV|I|I V:|

Any additions are welcome.
User avatar
doctorwho
Veteran RRF member
Posts: 12524
Joined: Tue Jun 11, 2002 3:28 pm

Post by doctorwho »

Isaac, I'm slightly familiar with the Roman numeral designations, but what does the colon (":") signify?
It is better, of course, to know useless things than to know nothing. - Seneca
35012
Member
Posts: 208
Joined: Sat Feb 04, 2006 4:55 am

Post by 35012 »

That was a repeat sign that I mistyped...
User avatar
doctorwho
Veteran RRF member
Posts: 12524
Joined: Tue Jun 11, 2002 3:28 pm

Post by doctorwho »

Ah, got it! Thanks!
It is better, of course, to know useless things than to know nothing. - Seneca
telebob
Member
Posts: 202
Joined: Sun Jul 16, 2006 4:41 am

Post by telebob »

It Ain't Nobody's Business

G7//// B7//// C7//// C#1/2 dim//// G7// E7#9//

Am// D9// G7// C9// G7// D+5//


This one is cool too:

A6// A7// D9// F#-// A7//// A7//// D9//// F#-////

A7// Bm7// C#m7// Cm7// Bm7//// E9//// A7// D-//

Bm7// E9//
Happiness is a choice
User avatar
sloop_john_b
Rick-a-holic
Posts: 13836
Joined: Tue Jan 25, 2005 6:00 am

Post by sloop_john_b »

Bob, when typing chords out like this, an easier way to write C#1/2dim (Looks kind of unwiedly to me) might be C#m7-5 (-5 meaning flatted 5). In general, I prefer it to saying half-diminished, even if it isn't completely musically correct.

Gotta try some of those progressions!
trancedental
Junior Member
Posts: 195
Joined: Thu Sep 29, 2005 4:42 am

Post by trancedental »

// what are these for? each beat? //// for each bar? Or am I getting confused again?!!!
Destroy DJ Rap & Synths / Robot Music!
User avatar
jdogric12
Rick-a-holic
Posts: 10854
Joined: Thu Dec 29, 2005 6:00 am

Post by jdogric12 »

JB, how about C#-7b5? Jazz nomenclature.

JK, "/" means repeat the single beat previous. You may also see "%" which would mean repeat the previous measure.
User avatar
sloop_john_b
Rick-a-holic
Posts: 13836
Joined: Tue Jan 25, 2005 6:00 am

Post by sloop_john_b »

Oh, dude, C#-7b5 is not the preferred nomenclature. C#m7-5, please. Image
User avatar
sowhat
RRF Consultant
Posts: 5380
Joined: Sat Nov 01, 2003 6:00 am
Contact:

Post by sowhat »

C# what?! Image
What's the tab for this chord?
Nothing will get you dead quicker than being deadly serious about yourself.
telebob
Member
Posts: 202
Joined: Sun Jul 16, 2006 4:41 am

Post by telebob »

Sorry guys, my theory isn't all it could be. At least I don't refer to a 7#9 as "The Hendrix Chord." Man I hate that!

Anyway, yes, the //// represent beats. I chose to also write the tunes out in the keys of G, and A because I'm not good with Roman Numerals.

A C#-7b5 looks like this:

E--------------------------------------X
B--------------------5-----------------
G--------------------------------------X
D--------------------5-----------------
A--------------4-----------------------
E--------------------------------------X

In the context of the song, it's easiest to play the C#-7b5 when moving from the chord form below, of the C7 chord. All you need to do is slide your index finger up one fret. This position also allows you to play the inversions, (every 4 frets the chord inverts), as a phrase all the way up to the octave without changing your finger positions.

C7 chord

E---------3----------------------------
B--------------------5-----------------
G---------3----------------------------
D--------------------5-----------------
A---------3----------------------------
E--------------------------------------X
Happiness is a choice
trancedental
Junior Member
Posts: 195
Joined: Thu Sep 29, 2005 4:42 am

Post by trancedental »

One good way to come up with more chord sequences is to write out verses & choruses that you like in Roman numeral sequences.

After you've got a few mix different choruses/verses/middles/bridges together in different keys than the originals, chord inversions/types & positions will sometimes turn them into totally different sounds, opposite to where the originals came from!
Destroy DJ Rap & Synths / Robot Music!
User avatar
jdogric12
Rick-a-holic
Posts: 10854
Joined: Thu Dec 29, 2005 6:00 am

Post by jdogric12 »

C#-7b5 (aka C# half diminished 7) is comprised of C#, E, G, and B. The combination of a perfect fifth (E/B) and a flatted fifth (C#/G) give it its unique feel.

JB, way to slip in Lebowski.

They finally did it. They killed my %^*& car.
telebob
Member
Posts: 202
Joined: Sun Jul 16, 2006 4:41 am

Post by telebob »

Here's a swingin' little ditty. Moderate tempo, bluesy feel.


G// G7/Ab// Am7// D9// G// G7/Ab// Am7// D9//


G// G7// C7// C#m7b5// G// D9// G////



C9//////// G6//////// A6//////// D9// D#9// D9////
Happiness is a choice
telebob
Member
Posts: 202
Joined: Sun Jul 16, 2006 4:41 am

Post by telebob »

Sorry, there's a possible error in the changes above. I think the second chord actually is an Abm6b5 or Am13b5.

The chord form is:
E-------------------------------------X
B----------3---------------------------
G---------------4----------------------
D----------3---------------------------
A-------------------------------------X
E---------------4----------------------


G// Abm6b5// Am7// D9// G// Abm6b5// Am7// D9//


G// G7// C7// C#m7b5// G// D9// G////


C9//////// G6//////// A6//////// D9// D#9// D9////
Happiness is a choice
Post Reply

Return to “Being For The Benefit Of Musicianship”