The folly of finding an old Fender.
Posted: Sun Jun 17, 2007 5:58 pm
A few weeks ago, I decided that as a gigging bass player who was also getting a steady increase in session work, I should probably have a slightly more diverse arsenal of instruments then I already do. Not any knock against my Ricks, which I love to death, but sometimes i'd just like something else to thump on at gigs and for recordings - I know most of you guys will agree with me on that.
I ruled out nearly everything for one reason or another (lots of active stuff out there, and i'm not into the multi-laminate thing either) and decided to start looking for a Fender. I like both P's and J's, and have owned a few, but i've never really been able to keep 'em for very long for whatever reason.
So this time, I decided i'd go for something vintage - my reasoning being that I might enjoy having an old Fender rather than playing an off the shelf CIJ or MIM or whatever. Plus, if I did decide to sell it, it'd hold it's value or might even be worth more.
It didn't take long for me to rule out Fenders from the 50's and 60's - obviously the prices have just gone through the roof in recent years and it's getting worse all the time.
I also knew that basses made in the mid to late 70's tended to be incredibly heavy, and sometimes of questionable quality. I play four hour gigs weekly and a '75 Jazz that weighs 15 pounds just isn't going to be any fun.
So I began looking into the missing link - Fender basses made between roughly 1970 and 1973.
I made a quick trip to Guitar Center in Manhattan for something unrelated, and just picked up a few basses from that era - they all had good weight and no weird three-bolt necks. The downside was that they often had changed parts including pickups. But I started searching, because I felt like I had come up with the perfect "vintage" to buy.
I started asking around - the consensus seemed to be that basses of this vintage were nearly identical in every way to basses made in '68 and '69 - but for a fraction of the cost (in most cases). I was finding some really nice looking Precision basses around the $2500 pricepoint - perfectly affordable and sure to rise in the coming years (barring a recession, or the vintage guitar bubble bursting).
But just as I began to get excited at the prospect of owning a cool early 70's Fender, I began finding more and more reasons not to.
People - Fender enthhusiasts - whom I asked about the instruments started warning me about counterfeits - they were apparently so good that no less an authority than George Gruhn and his staff were now having difficulty telling the fakes from the authentic ones. With the recent rise of the Relics, more and more people seem to be building vintage Fender instruments from Warmoth or USACG parts and aging them to complete perfection.
Most of the basses I came across also had changed parts - in many cases, the bodies and necks were of different years/eras, they had been (VERY poorly) refinished, the pickups had been swapped, there had been hacking under the non-original pickguard, it just never seemed to end. The instruments that I found affordable, I was now beginning to question - and doubt everything about them.
These two plus weeks of scouring eBay, Gbase, and all the shops in the NY/NJ area that have old instruments have been fruitless - not counting the knowledge i've gained on these instruments, which i'm grateful for. But in the last few days, the dream of owning a really cool old Fender bass has died.
I'm not even sure what to do now. I've found a really, really cool bass in the Lakland Decade. IMO, they nailed a vintage vibe without copying too much, and I just love the Darkstar pickups. They're USA made and quite expensive, but a "Skyline Series" (made overseas) version is on the way - about nine months from now.
In the interim, i'm probably going to have to stick to my guns - my Ricks - and wonder why I even decided to stray in the first place.
I ruled out nearly everything for one reason or another (lots of active stuff out there, and i'm not into the multi-laminate thing either) and decided to start looking for a Fender. I like both P's and J's, and have owned a few, but i've never really been able to keep 'em for very long for whatever reason.
So this time, I decided i'd go for something vintage - my reasoning being that I might enjoy having an old Fender rather than playing an off the shelf CIJ or MIM or whatever. Plus, if I did decide to sell it, it'd hold it's value or might even be worth more.
It didn't take long for me to rule out Fenders from the 50's and 60's - obviously the prices have just gone through the roof in recent years and it's getting worse all the time.
I also knew that basses made in the mid to late 70's tended to be incredibly heavy, and sometimes of questionable quality. I play four hour gigs weekly and a '75 Jazz that weighs 15 pounds just isn't going to be any fun.
So I began looking into the missing link - Fender basses made between roughly 1970 and 1973.
I made a quick trip to Guitar Center in Manhattan for something unrelated, and just picked up a few basses from that era - they all had good weight and no weird three-bolt necks. The downside was that they often had changed parts including pickups. But I started searching, because I felt like I had come up with the perfect "vintage" to buy.
I started asking around - the consensus seemed to be that basses of this vintage were nearly identical in every way to basses made in '68 and '69 - but for a fraction of the cost (in most cases). I was finding some really nice looking Precision basses around the $2500 pricepoint - perfectly affordable and sure to rise in the coming years (barring a recession, or the vintage guitar bubble bursting).
But just as I began to get excited at the prospect of owning a cool early 70's Fender, I began finding more and more reasons not to.
People - Fender enthhusiasts - whom I asked about the instruments started warning me about counterfeits - they were apparently so good that no less an authority than George Gruhn and his staff were now having difficulty telling the fakes from the authentic ones. With the recent rise of the Relics, more and more people seem to be building vintage Fender instruments from Warmoth or USACG parts and aging them to complete perfection.
Most of the basses I came across also had changed parts - in many cases, the bodies and necks were of different years/eras, they had been (VERY poorly) refinished, the pickups had been swapped, there had been hacking under the non-original pickguard, it just never seemed to end. The instruments that I found affordable, I was now beginning to question - and doubt everything about them.
These two plus weeks of scouring eBay, Gbase, and all the shops in the NY/NJ area that have old instruments have been fruitless - not counting the knowledge i've gained on these instruments, which i'm grateful for. But in the last few days, the dream of owning a really cool old Fender bass has died.
I'm not even sure what to do now. I've found a really, really cool bass in the Lakland Decade. IMO, they nailed a vintage vibe without copying too much, and I just love the Darkstar pickups. They're USA made and quite expensive, but a "Skyline Series" (made overseas) version is on the way - about nine months from now.
In the interim, i'm probably going to have to stick to my guns - my Ricks - and wonder why I even decided to stray in the first place.






