Beneath The Covers
Posted: Mon Jan 21, 2008 2:46 pm
While Hank Marvin has done some great instrumental covers with The Shadows and in his solo efforts, I find myself wondering why he has not recorded more original instrumental material in the latter stages of his career.
The very early Hank Marvin instrumentals have become classics and I tend to view tracks such as "Shindig" very differently than I do the covers of such songs as "Woman", "Nights in White Satin" and even "Don't Cry For Me Argentina." I am not suggesting that these works have not been successful or that they are not well done, but the original instruments still shine more brightly to my way of thinking and they do not compete with our memories of the original vocal release.
Marvin is forced to add changes to his covers to keep our attention, otherwise they do tend to fall into the "elevator" music category. So what is beneath Hank's decision to use covers rather than an all original instrumental CD?
Does it matter to you whether he is covering a song or not?
The very early Hank Marvin instrumentals have become classics and I tend to view tracks such as "Shindig" very differently than I do the covers of such songs as "Woman", "Nights in White Satin" and even "Don't Cry For Me Argentina." I am not suggesting that these works have not been successful or that they are not well done, but the original instruments still shine more brightly to my way of thinking and they do not compete with our memories of the original vocal release.
Marvin is forced to add changes to his covers to keep our attention, otherwise they do tend to fall into the "elevator" music category. So what is beneath Hank's decision to use covers rather than an all original instrumental CD?
Does it matter to you whether he is covering a song or not?