Nut respacing
Posted: Thu Feb 28, 2008 1:11 pm
Did my first-ever nut last night, on a 330/12. I blew a couple of blanks initially but learned a lot in the process. Third time was a charm.
For the second and third try, I sat down and did some math, and decided to use somehwat tighter spacing between strings in each pair.
The Dr. uses, I believe, .095 for the low E and .065 for all the others. I did some calculations and figured out that the actual distance in between the strings in each pair (the airsapce, for lack of a better description) varied greatly with this approach (not to at all imply that he is wrong; the man is legend). This theoretical calculation assumes, of course, that the person doing the work cuts everything dead-on, which I can't ascribe to myself as a newbie to nut work. Still, I decided to experiment a bit.
I did them as follows:
total spread between the centerline of the low E and the high e: 1.42
string spacings, measured out before slotting and marked with a razor:
E- .080
A- .066
D- .065
G- .061
B- .058
e- .058 (initally .055 but that was a little too small)
Total: .388
So, 1.42 - .388 = 1.032. This is the total real estate for spacing between the pairs. Divide this by 5 and the distance between each pair comes to .2064.
Using these specs, the pairs at the nut look a lot tighter than a current or recent factory RIC. But, if you look at closeups of '60s 12s, you can see that they cut the pairs much closer together back in the day. The Arden 12 (of which I have some closeups) has really tight pairs, and I remember reading about Suzi Arden's statements about how very playable and comfortable that guitar was.
So, I strung it up and played for a while. It's unbelieveable; the guitar's playability is night and day over the stock nut. I was able to set the slot height at about .026 above the first fret without any buzzing and the neck is near dead flat. There is no issue with the strings in each pair vibrating into each other's path, either. Not even close. I have not measured the action at the body end yet but it's really down there. I could not put the guitar down last night at 1:30AM, as dusty as it was and still missing the TRC.
What fun work.
For the second and third try, I sat down and did some math, and decided to use somehwat tighter spacing between strings in each pair.
The Dr. uses, I believe, .095 for the low E and .065 for all the others. I did some calculations and figured out that the actual distance in between the strings in each pair (the airsapce, for lack of a better description) varied greatly with this approach (not to at all imply that he is wrong; the man is legend). This theoretical calculation assumes, of course, that the person doing the work cuts everything dead-on, which I can't ascribe to myself as a newbie to nut work. Still, I decided to experiment a bit.
I did them as follows:
total spread between the centerline of the low E and the high e: 1.42
string spacings, measured out before slotting and marked with a razor:
E- .080
A- .066
D- .065
G- .061
B- .058
e- .058 (initally .055 but that was a little too small)
Total: .388
So, 1.42 - .388 = 1.032. This is the total real estate for spacing between the pairs. Divide this by 5 and the distance between each pair comes to .2064.
Using these specs, the pairs at the nut look a lot tighter than a current or recent factory RIC. But, if you look at closeups of '60s 12s, you can see that they cut the pairs much closer together back in the day. The Arden 12 (of which I have some closeups) has really tight pairs, and I remember reading about Suzi Arden's statements about how very playable and comfortable that guitar was.
So, I strung it up and played for a while. It's unbelieveable; the guitar's playability is night and day over the stock nut. I was able to set the slot height at about .026 above the first fret without any buzzing and the neck is near dead flat. There is no issue with the strings in each pair vibrating into each other's path, either. Not even close. I have not measured the action at the body end yet but it's really down there. I could not put the guitar down last night at 1:30AM, as dusty as it was and still missing the TRC.
What fun work.