The "perfect" pickup?
Posted: Thu Jun 26, 2008 1:12 am
Refining a previous Topic (thanks for those replies):
There seems to be a slight need for PU that has a bit more gain without loosing the nuances of the new 7.4ks. My 12ks (on a 360 12) have a little
sparkle but plenty of "meat". Hi gains (never owned any) appear to do the same. However, the "crackling highs" of the 7.4ks (listen to a Buddy Clontz
Youtube) are in a league of their own.
What would happen (Sergio, or anyone else) if a Toaster split the difference with a custom "scatterwind" (or 1/2 scatter 1/2 concentric) to say 9.75 or 10k? It would be interesting to gauge just where jangle and oomph overlapp better without significant loss of either. Or is the "sliding" scale just not enough to notice by anyone but dogs? Is there a way to "reostat" (like a household dimmer) from one to the other and in between?
I know you could mount a "hot" and "cool" toaster on one guitar and blend between the two, but the output matching might defeat the idea. Any thoughts?
There seems to be a slight need for PU that has a bit more gain without loosing the nuances of the new 7.4ks. My 12ks (on a 360 12) have a little
sparkle but plenty of "meat". Hi gains (never owned any) appear to do the same. However, the "crackling highs" of the 7.4ks (listen to a Buddy Clontz
Youtube) are in a league of their own.
What would happen (Sergio, or anyone else) if a Toaster split the difference with a custom "scatterwind" (or 1/2 scatter 1/2 concentric) to say 9.75 or 10k? It would be interesting to gauge just where jangle and oomph overlapp better without significant loss of either. Or is the "sliding" scale just not enough to notice by anyone but dogs? Is there a way to "reostat" (like a household dimmer) from one to the other and in between?
I know you could mount a "hot" and "cool" toaster on one guitar and blend between the two, but the output matching might defeat the idea. Any thoughts?