Refugee
Posted: Wed Sep 10, 2008 7:18 pm
I'm trying to get some topics into my new forum, so I was thinking we could discuss individual TP songs that we enjoy, and if you don't enjoy it, voice your opinion here.
Two of my top favorite Tom Petty tracks are "Here Comes My Girl" and "Refugee". "Refugee", in particular, I love because it states a good message, "You don't have to live like a refugee", in other words, "You don't have to live like you don't belong", and that's what makes this song one of the best. The chord progression, too, is a sweet one: F#m, A major, E major. One of the best chord progressions of a song I've ever heard. This song, believe it or not, took over 110 takes to make. The band would work on it hour after hour, day after day, coming up with nothing. Mike Campbell was so angry, he was fed up with it. After Jimmy Iovine brought out a Hammond organ for Tench to use, the song morphed into gold.
What's weird about the song is that the "Playback" box set states Mike Campbell on bass, but Tom Petty and Ron Blair himself remember Blair being at the session playing bass.
Guitars that were used were:
Tom - his trusty '63 Strat and Gibson Dove acoustic
Mike - Gibson Les Paul goldtop and/or '50 Fender Broadcaster (I also heard that it could have been his '69 Tele with two PAFs and Bigsby)
Ron - all black (except pickguard) Fender Jazz Bass
I always thought the "Rock Goes to College" version from 1980 that I posted up on YouTube was good...but then I saw this performance from SNL in November '79...while Mike couldn't extend the solo like he did in "Rock Goes to College", they sure did the song justice here.
Here's the "Rock Goes" version to compare for yourselves:
Two of my top favorite Tom Petty tracks are "Here Comes My Girl" and "Refugee". "Refugee", in particular, I love because it states a good message, "You don't have to live like a refugee", in other words, "You don't have to live like you don't belong", and that's what makes this song one of the best. The chord progression, too, is a sweet one: F#m, A major, E major. One of the best chord progressions of a song I've ever heard. This song, believe it or not, took over 110 takes to make. The band would work on it hour after hour, day after day, coming up with nothing. Mike Campbell was so angry, he was fed up with it. After Jimmy Iovine brought out a Hammond organ for Tench to use, the song morphed into gold.
What's weird about the song is that the "Playback" box set states Mike Campbell on bass, but Tom Petty and Ron Blair himself remember Blair being at the session playing bass.
Guitars that were used were:
Tom - his trusty '63 Strat and Gibson Dove acoustic
Mike - Gibson Les Paul goldtop and/or '50 Fender Broadcaster (I also heard that it could have been his '69 Tele with two PAFs and Bigsby)
Ron - all black (except pickguard) Fender Jazz Bass
I always thought the "Rock Goes to College" version from 1980 that I posted up on YouTube was good...but then I saw this performance from SNL in November '79...while Mike couldn't extend the solo like he did in "Rock Goes to College", they sure did the song justice here.
Here's the "Rock Goes" version to compare for yourselves: