How to choose a good flamenco guitar…RCM Toronto (part 4)
Posted: Mon Dec 28, 2009 8:08 pm
Here is the fourth part of the workshop at the Royal Conservatory of Toronto, in which the subject of the
characteristics & qualities that a good flamenco guitar
should have were explained.
http://www.rdiaz.org/rdvideo151.html
To summarize some essential factors:
1) QUALITY OF SOUND (concepts of female & male, etc.)
a) “timbre” and tone of every string
b) Balance
(between trebles and basses etc.)
c) Quality & age of the soundboard or top, and wood.
d) Intonation & harmonics, sustain etc.
e) Projection & response.
f) Diverse bracing patterns and the “golpe” or taping
g) different kinds of bridges, thickness & symmetric, etc.
2) PLAYABILITY
a) Bridge measurements (even distance between holes, bridge proper height etc)
b) Action (millimetres between 6th and 12 fret, etc)
c) Tension of the guitar while playing.
3) BEAUTY
a) Kind of varnish (how it affects the sound etc)
b) Colors of wood & kinds of woods traditional and beyond.
Be creative and have fun!
Ruben Diaz
http://www.rdiaz.org/rdfoto37.html
characteristics & qualities that a good flamenco guitar
should have were explained.
http://www.rdiaz.org/rdvideo151.html
To summarize some essential factors:
1) QUALITY OF SOUND (concepts of female & male, etc.)
a) “timbre” and tone of every string
b) Balance
(between trebles and basses etc.)
c) Quality & age of the soundboard or top, and wood.
d) Intonation & harmonics, sustain etc.
e) Projection & response.
f) Diverse bracing patterns and the “golpe” or taping
g) different kinds of bridges, thickness & symmetric, etc.
2) PLAYABILITY
a) Bridge measurements (even distance between holes, bridge proper height etc)
b) Action (millimetres between 6th and 12 fret, etc)
c) Tension of the guitar while playing.
3) BEAUTY
a) Kind of varnish (how it affects the sound etc)
b) Colors of wood & kinds of woods traditional and beyond.
Be creative and have fun!
Ruben Diaz
http://www.rdiaz.org/rdfoto37.html