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Les Paul Professional - ever seen/played one?
Posted: Wed Jun 22, 2011 4:01 pm
by jdogric12
Howdy folks. I played a 1970 Les Paul Professional in a store yesterday.
I had a thing for them ever since seeing Les Paul play in NYC about a year before he died. His rhythm guitarist played one. I swear, it soudned like an acoustic with a piezo. After the set, I asked him how he got those tones. He said, it's a Les Paul Professional with Lo-Z pickups.
Fast forward to yesterday when I realize a shop I frequent has one. So I go play it. It sounded neat, but not quite the tones I seem to remember from that night.
Anyone else familiar with this model's sound? compare notes? Thanks, J
Re: Les Paul Professional - ever seen/played one?
Posted: Wed Jun 22, 2011 4:54 pm
by Clint
I've seen a few. One hung in a local pawn shop for years; no one knew what to make of it. Les Paul was a real champion of low impedance pickups. I think the Les Paul Professional (and the similar Les Paul Recording) came with some kind of box to convert the signal to high impedance so you could use it through a regular amp.
Steve Howe's used one on a couple of his solo records. To me they're the Les Paul sound (the man, not the guitar). Full, clear, clean and chimy...sounds familiar, doesn't it?
Re: Les Paul Professional - ever seen/played one?
Posted: Wed Jun 22, 2011 11:06 pm
by jingle_jangle
The Professional is the middle of the three LP low impedance models. I've got one right now, and I have also been fortunate enough to score 3 sets of NOS pickups. The one Les himself played was a LP Personal, which has different features from the Professional and Recording, including gold plated hardware, multiple binding, a bound headstock, and a microphone jack on the upper bout with is own volume control, into which plugs a gold-plated gooseneck microphone. Only 146 of the Personals were ever sold. I once owned one of the two made in '73. Of course I regret selling it! The low end of the low-impedance LPs is the Recording model, which was also in production the longest.
These are the most versatile-sounding of any guitar with passive electronics, that you'll ever hear. You can get acoustic tones through single-coil Fender to Aerosmith crunch, all without any other effects. It helps to have the low-impedance LP amplifier, too.
Al Di Meola played a low-impedance LP for awhile, and Terry Kath from Chicago also played one live in the mid '70s.
If the guitar store's price is reasonable (<$2K) and the guitar is unmolested with a nice original case, it's worth pursuing.