1968 4001 & 2012 4003 sound comparison
Posted: Mon Nov 12, 2012 9:06 pm
I had the opportunity to work on a new 2012 model 4003 last week, so I recorded a few lines with it as well as my '68 4001 for a side-by-side comparison. (The '68 parts have been re-recorded since the '68 v '79 test I did a couple of weeks ago.)
1968 4001 - 2012 4003 A/B
It's a somewhat biased test since I usually go for a trebly gritty sound ala early '70s Chris Squire, but at least you get the idea of how they compare through the same gear.
Those with a good ear can probably tell which bass is which, but I'll leave that blank for now. And as always, this is only an exhibition, not a competition, so please no wagering.
A comparison of the feel - the '68 has a thinner neck and is easier to play, but the integrity and consistency of the 2012 was absolutely stellar - a very solid instrument. The action on the 2012 was a little higher than on the '68, but both were well within my comfort zone. The lower action of the '68 made it a little more responsive electronically, the attack executing a little sharper & grittier.
Here's the program of both basses in succession on each riff:
1. The Barney Miller Theme (Yes! Again!)
2. (untitled warm up scales)
3. Siberian Khatru break/Yes
4. (untitled riff in D Major)
5. Freewill break/Rush (note to self: Practice this before trying to record it!)
6. How Many More Times/Zeppelin
7. Roundabout/Yes
1968 4001 - 2012 4003 A/B
It's a somewhat biased test since I usually go for a trebly gritty sound ala early '70s Chris Squire, but at least you get the idea of how they compare through the same gear.
Those with a good ear can probably tell which bass is which, but I'll leave that blank for now. And as always, this is only an exhibition, not a competition, so please no wagering.
A comparison of the feel - the '68 has a thinner neck and is easier to play, but the integrity and consistency of the 2012 was absolutely stellar - a very solid instrument. The action on the 2012 was a little higher than on the '68, but both were well within my comfort zone. The lower action of the '68 made it a little more responsive electronically, the attack executing a little sharper & grittier.
Here's the program of both basses in succession on each riff:
1. The Barney Miller Theme (Yes! Again!)
2. (untitled warm up scales)
3. Siberian Khatru break/Yes
4. (untitled riff in D Major)
5. Freewill break/Rush (note to self: Practice this before trying to record it!)
6. How Many More Times/Zeppelin
7. Roundabout/Yes