White to Fireglo
Posted: Wed Apr 24, 2013 3:43 am
From white 330S to 1993 style WBBS.
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White to Fireglo
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Re: White to Fireglo
Posted: Wed Apr 24, 2013 3:44 am
next steps
Re: White to Fireglo
Posted: Wed Apr 24, 2013 3:46 am
final stages
Re: White to Fireglo
Posted: Wed Apr 24, 2013 8:48 am
Awesome!
Re: White to Fireglo
Posted: Wed Apr 24, 2013 9:02 am
Looks great!
Re: White to Fireglo
Posted: Wed Apr 24, 2013 10:24 am
Cool! Thanks for sharing. 
Re: White to Fireglo
Posted: Wed Apr 24, 2013 12:23 pm
Looks great, Eddie!
Re: White to Fireglo
Posted: Wed Apr 24, 2013 1:01 pm
Loving that burst!
White to Fireglo
Posted: Wed Apr 24, 2013 1:39 pm
8mileshigh wrote:Loving that burst!
Yes indeed - - - What they said !!collin wrote:Looks great, Eddie!
Re: White to Fireglo
Posted: Wed Apr 24, 2013 2:56 pm
Very nice but i prefered the white 
Just kidding eddie guitar looks complete
Just kidding eddie guitar looks completeRe: White to Fireglo
Posted: Wed Apr 24, 2013 3:46 pm
Many thanks for the words of appreciation. 
All credit for the way this project has turned out must go to William Young. He did simply magnificent work which easily exceeded whatever expectations I had going in and I take my hat off to him.
Making the final decision on what shade of Fireglo to go with did take quite a lot of time/discussion between the two of us but, in the end, I think it was well worth the effort and we were both very pleased with how it turned out.
I should also point out that these white guitars have given me my first direct experience of playing/working with the C63 body/neck (and I think William's too). We both found them to be consistently superb pieces of craftsmanship in their own right. It's a great tribute to the factory that they continue to take the time to produce such wonderful X-braced 21 fret guitars and I hope that what we have done in the cosmetic department has lived up to that underlying excellence.
All credit for the way this project has turned out must go to William Young. He did simply magnificent work which easily exceeded whatever expectations I had going in and I take my hat off to him.
Making the final decision on what shade of Fireglo to go with did take quite a lot of time/discussion between the two of us but, in the end, I think it was well worth the effort and we were both very pleased with how it turned out.
I should also point out that these white guitars have given me my first direct experience of playing/working with the C63 body/neck (and I think William's too). We both found them to be consistently superb pieces of craftsmanship in their own right. It's a great tribute to the factory that they continue to take the time to produce such wonderful X-braced 21 fret guitars and I hope that what we have done in the cosmetic department has lived up to that underlying excellence.