One of Steve Russell's correspondents sent him the address of a website about Czech Resonet guitars : unfortunately it was all in Czech language, but we've now contrived a translation which adds somewhat to the store of knowledge on the origins of George's Grazioso. Here is a precis of the contents.
The company who made the guitars was Resonet (not Neoton as I had been told), based in Blatna. They were a state-owned company, part of a group called Drevokov who made - believe it or not - "hall racks and coat stands" ! The diversification into guitars was inspired by a musically-inclined director who joined the company in 1953, and their first product was a Hawaiian lap-steel (probably inspired by Rickenbacker's frying-pan) in 1954. In 1955 they made an updated version called an Arioso, and also somehow managed to obtain a US Fender Stratocaster which obviously inspired their next model, the Grazioso which George had, probably introduced in 1956 or 1957.
In Central Europe it is customary to refer to model name then manufacturer, so whereas we would call it a Resonet Grazioso, they say Grazioso-Resonet. Some guitars (like George's) reached the UK branded Grazioso-Resonet before Selmer became the UK importer and changed the brand-name to Futurama, easier on Western ears.
By 1959/60 production was transferred to a new company CSHN (Czechoslovak Musical Instruments) based at Hradec Kralove and Krnov : they also made hollow-body Cutaway 1 and Cutaway II guitars, and 3 solid guitars branded Star I, II and III in Europe and Futurama I, II and III by Selmer in the UK : a new range of thin-line semis branded Neoton (later Jolana), a Basso IV bass, and they claim the distinction of the world's first 6-string bass, the Pedro VI, in 1960.
Production of these and other models continued into the mid-60's, although Selmer sourced their Futurama guitars elsewhere by then. The demise of the company is not mentioned, but it seems likely that it fell victim to Far-Eastern competition in the late 60's. There are some marvellous side tales : the change to glued necks was caused not by the desire for better tone, but because they ran out of screws !!
The Czech-language website is at
http://home.worldonline.cz/~cz376062/kniha.html . If anyone wants the full text translation then e-mail me at
tim.fletcher@virgin.net .