Personalizing My New Montezuma Brown 381V69
Posted: Sat Feb 05, 2005 8:39 pm
I got my gorgeous 381V69 right after New Years'. What a great way to start 2005!
While I am really impressed by the contrast that the guitar presents between the modern (white pickguards and modern knobs on such a vintage-looking body), I also love the look of the older, big bodied Capris with their gold pickguards and stove knobs. I decided to try to give the same sort of vintage feel to my 381.
I went for the obvious: gold acrylic pickguards (painted to match those on my MB 660-12), stove knobs and new lathe-turned tophat blend knob. Reshape the top edges of both pickguards to emphasize the beautiful shape of the treble side "horn" cutaway. See how things would look with modern knobs and vintage knobs while I was at it.
The pictures tell the story. I laboriously hand-fabricated a new set of guards, using bandsaw and sanders and carefully hand-detailing the edges. I got a nice match on the Crescent Bronze gold that Rick uses. I painted the guards. Then I put it all together.
After looking at the color combinations in three different lightig situations, I decided that the gold color looked a few shades too green against the warmer MB shades. I soon got caught up in drawing the pickguards for both guitars in Illustrator and exporting them to a laser cutter, which will cut them in about 3 minutes while leaving a beautifully flame-polished edge. This allows me to paint the edges and back sides of the guards with urethane paint instead of slow-drying enamel, as ordinary sanded or router-cut edges will crack if urethane is used.
I reformulated the gold paint color in urethane to be warmer in tone--a shift toward a redder gold--and more opaque with a very fast dry time.
The pictures show only the first part of this process. I'll have the rest up, including shots of the laser-cutting process and the new warmer paint color, in a couple of weeks.
[IMG]http://img.photobucket.com/albums/v693/jingle_jangle/3.jpg[IMG]
[img]http://img.photobucket.com/albums/v693/jingle_jangle/4.jpg[/img]
[img]http://img.photobucket.com/albums/v693/jingle_jangle/5.jpg[/img]
[img]http://img.photobucket.com/albums/v693/jingle_jangle/6.jpg[/img]
[img]http://img.photobucket.com/albums/v693/jingle_jangle/7.jpg[/img]
The last step will be to locate and install a trapeze-style tailpiece to replace the "R", which I do love and promise to leave intact on my next "R" Rick! Note that I will be making a gold truss rod cover for myself, but I will not--repeat WILL NOT--offer them for sale, out of respect to Rick's ownership of this trademark. And I will not show how I made the TRC, either. Being the owner of several patents and trademarks myself, and having spent a good deal of time and money defending them, I sympathize with Rickenbacker's approach to this issue. If I could have purchased this item in my color from Rick, I would. But they have enough on their plate, for them to worry about filling a special order from me or anyone else, for one custom-painted part.
While I am really impressed by the contrast that the guitar presents between the modern (white pickguards and modern knobs on such a vintage-looking body), I also love the look of the older, big bodied Capris with their gold pickguards and stove knobs. I decided to try to give the same sort of vintage feel to my 381.
I went for the obvious: gold acrylic pickguards (painted to match those on my MB 660-12), stove knobs and new lathe-turned tophat blend knob. Reshape the top edges of both pickguards to emphasize the beautiful shape of the treble side "horn" cutaway. See how things would look with modern knobs and vintage knobs while I was at it.
The pictures tell the story. I laboriously hand-fabricated a new set of guards, using bandsaw and sanders and carefully hand-detailing the edges. I got a nice match on the Crescent Bronze gold that Rick uses. I painted the guards. Then I put it all together.
After looking at the color combinations in three different lightig situations, I decided that the gold color looked a few shades too green against the warmer MB shades. I soon got caught up in drawing the pickguards for both guitars in Illustrator and exporting them to a laser cutter, which will cut them in about 3 minutes while leaving a beautifully flame-polished edge. This allows me to paint the edges and back sides of the guards with urethane paint instead of slow-drying enamel, as ordinary sanded or router-cut edges will crack if urethane is used.
I reformulated the gold paint color in urethane to be warmer in tone--a shift toward a redder gold--and more opaque with a very fast dry time.
The pictures show only the first part of this process. I'll have the rest up, including shots of the laser-cutting process and the new warmer paint color, in a couple of weeks.
[IMG]http://img.photobucket.com/albums/v693/jingle_jangle/3.jpg[IMG]
[img]http://img.photobucket.com/albums/v693/jingle_jangle/4.jpg[/img]
[img]http://img.photobucket.com/albums/v693/jingle_jangle/5.jpg[/img]
[img]http://img.photobucket.com/albums/v693/jingle_jangle/6.jpg[/img]
[img]http://img.photobucket.com/albums/v693/jingle_jangle/7.jpg[/img]
The last step will be to locate and install a trapeze-style tailpiece to replace the "R", which I do love and promise to leave intact on my next "R" Rick! Note that I will be making a gold truss rod cover for myself, but I will not--repeat WILL NOT--offer them for sale, out of respect to Rick's ownership of this trademark. And I will not show how I made the TRC, either. Being the owner of several patents and trademarks myself, and having spent a good deal of time and money defending them, I sympathize with Rickenbacker's approach to this issue. If I could have purchased this item in my color from Rick, I would. But they have enough on their plate, for them to worry about filling a special order from me or anyone else, for one custom-painted part.